Henry Moore (1898-1986), Refugees, Tyssen Museum, Madrid, detail
Source: Fear and hope – Saint-Merry
Henry Moore (1898-1986), Refugees, Tyssen Museum, Madrid, detail
Source: Fear and hope – Saint-Merry
Christine & The Queens – “Tilted” from Top Of The Pops, Christmas 2016
Héloïse Letissier – my God, is she not wonderful?
[Mike Stevenson / Pas de Merde]
I went to Paris, but ate like a New Yorker.
Blame the French. My first experience in the City of Light was met with a wave of rudeness — particularly in restaurants — despite how reluctant I was to believe the stereotype that the French are cold.
It’s tough being an American in Paris. Especially when the only French words you know are “Bonjour,” “Merci” and “Au Revoir.”
My sister and I made an effort to greet everyone we met with the proper pleasantry in French, but despite our attempts at speaking the language, we weren’t exactly treated hospitably. [ . . . ]
Read more of this nonsense at:http://www.nydailynews.com/life-style/french-rude-paris-opted-american-food-article-1.2928043
A leading French artist of the twentieth century, Jean Dubuffet (1901–1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression, inspired by graffiti, children’s drawings, and the creations of psychiatric patients. Drawing played a major role in his development as he explored on paper new subjects and techniques and experimented with non-traditional tools and modes of application.
Source: Dubuffet Drawings, 1935–1962 at the Morgan Library | French Culture
Imagine the sounds coming out of a busy blacksmith shop in an alleyway in Paris sometime back in the 18th century: the hammering of wrought iron, the rhythmic whoosh of air as the blacksmith uses a bellows to stoke a fire.
We have no recordings of the actual sounds of Paris in those early days, so to try and make those 18th-century streets and alleys of Paris come to life takes a bit of careful historical research and a little imagination. Continue reading “Historians Imagine What Paris Sounded Like in the 18th Century”