Every movie made by Jean-Pierre and Luc Dardenne arouses my interest and admiration, ever since the Belgian brothers first burst onto the international scene with “The Promise” in 1996. Over the years they have become part of the small circle of directors to win the Palme d’Or twice at the Cannes Film Festival (for “Rosetta” in 1999 and “The Child” in 2005). In addition, they have won various other prizes in the same competition, in which every film of theirs is sure to be included. Their oeuvre encompasses such fine works as “The Son,” “The Kid with a Bike” and “Two Days, One Night.”The Dardennes do more than adhere, stubbornly and in their unique style, to the tradition of realist filmmaking that tackles social [ . . . ] More: ‘The Unknown Girl’: What happens when the Dardenne brothers make a thriller – Movies – Haaretz.com
Jeanne Moreau a tourné avec les plus grands réalisateurs, d’Antonioni à Elia Kazan. Extraits de douze films
Jeanne Moreau, a legend of French cinema and one of the French New Wave’s leading actresses with roles in Jules & Jim and Elevator to the Gallows, died this weekend at the age of 89.
Serf Volant (Kite) from the award-winning film Les Choristes (2004)
After a short morning hike through the woods and a delicious lunch with our friends Shirley and Jim, along with special guest Grezelda from the village, I’ve finally surrendered to the head cold I’ve been fighting the past few days. Now I’m sniffling through what I hope is a restorative nap on the sofa, while listening to Les Choristes soundtrack CD, which I bought in Paris for only $1.50.
This 2004 movie is about a new teacher winning-over his students at a brutal French boarding school through music. The Petits Chanteurs de Saint Marc choir supply the on-screen boys’ angelic vocals. Think Dead Poets Society, only the kids wear tight shorts and sing with very high voices (perhaps cause and effect). I joke. The film is excellent. Try it some evening.