Chantal Akerman was born on June 6, 1950 in Brussels, Belgium as Chantal Anne Akerman. She was a director and writer, known for Je Tu Il Elle (1974), A Couch in New York (1996) and The Meetings of Anna (1978). She was married to Sonia Wieder-Atherton. She died on October 5, 2015 in Paris, France.
All those French shows you wish you could stream could now be available on a new French streaming service, Salto.
Today, French regulators gave the go ahead to three of the country’s major broadcasters to start a joint online video streaming service, Salto, which is expected to launch in early 2020.
France Televisions (a public company) and M6 Groupe and TF1 Groupe (two private companies) are partnering for the venture.
Billed as a French alternative to Netflix, the service will feature French content from a variety of broadcasters and studios as well as some live channels. France Televisions owns France 2, France 3, France 4, France 5 and France Ô, M6 Groupe owns M6, W9, and 6ter, and TF1 Groupe owns TF1, TMC, TFX, TF1 and LCI. To avoid creating a streaming monopoly for the channels, the streaming site’s three broadcasting backers agreed to limit the use of their own content on the site to 40 percent of the offerings available.
In a press release announcing the verdict, Salto stated that the three companies are “combining their forces and proposing an ambitious, local response to the new expectations of the public, all while further reinforcing their active participation in French and European culture.”
Hollywood Reporter noted that’s Salto’s budget would be about $56 million for the first year.
The announcement of the French streaming service came in June 2018, but it only became a reality when regulators gave the go-ahead on August 12. France’s national competition regulator, Autorité de la concurrence, specified in a press release that the trio of broadcasters will have to submit to a series of agreements that will reduce the risk of “coordination” between the broadcasters to acquire the rights to French programs. The three parent companies also won’t be able to cross-promote the platform and their channels.
France isn’t the first country to start its own streaming service. In the U.K., the two largest broadcasters, ITV and the BBC, are launching BritBox, which offers the “best of British” TV and movies. Once given regulatory approval, BritBox will go live, likely this year.
While BritBox is available in North America, it has not yet been announced if Salto will be available Stateside.
The Louvre and mk2 proposed to revisit eight unforgettable films under a new eye.
[TROISCOLEURS translation Google] Just below the majestic Clock Pavilion and the silent statues that surround it, couples of dancers try their hand at tango and some players improvise a game of ping-pong, while others have decided to go straight to the table. aperitif, a glass of wine and plates in the hand. It is between her royal walls that Isabelle Adjani ran, her hands bloody and her face pale, to escape her destiny in Patrice Chéreau’s La Reine Margot , released in 1994.
And it is in this place full of history and memory film that the Louvre Museum, in partnership with mk2, has chosen to install for a week in its courtyard Carrée ephemeral screen, to offer spectators to see for free at open sky 8 films both popular and demanding. On a canvas 24 meters high, designed as a window to the world where the arid landscapes of Indiana Jones and the Last Crusade parade , the French campaigns of Faces Villages and the romantic New York of When Harry meets Sally , curious and regulars have rediscovered these cult works in a dreamlike setting.
It is 22h when daylight begins to decline. The dance floor suddenly empties, the sound of boules balls stops and the food truck odors are more distant. As an air mixed with nostalgia fleet forward on the faces of the spectators, who are just coming to see this fourth evening a movie-like declaration of love in the 7 th art: Cinema Paradisoof Giuseppe Tornatore. While Alfredo and Totò’s complicit faces, hidden behind their projection booth, invade the screen on Ennio Morricone’s score, we feel that these images resonate between the columns of the palace like distant and intimate memories in the audience , until this magical sequence of the outdoor cinema-club where the storm breaks out, and which suddenly opens a magnificent mise-en-abyme to the audience.
Because it is the idea of a unifying cinema, able to federate all ages and all sensibilities, which forms the thread of the event, and that we feel even more palpable in the forefront. last night, where The Journey of Chihiro from Hayao Miyazaki is shown. For some, it’s an outdoor reunion with a movie that terrorized and amazed their childhood – like Justine, who saw the film when it was released in 2001 when she was only 10 years old. For others, this nocturnal event has the taste of the first time-like Dana, who discovers with amazement the richness of this initiatory tale about the fears of childhood and the power of imagination. Like the spectators who have lost none of their ingenuity and are still trembling at the sight of the witch of Yubaba and know by heart the mimicry of Sans-Face, the film has not taken a wrinkle. It was perhaps only necessary to see him again in this unreal place and out of time to notice it.
Free outdoor cinema screenings in Paris this summer will show French films with English subtitles, to help Anglophones keep abreast of French culture.
Cinema club Lost in Frenchlation – which regularly screens French films with English subtitles, is hosting three free outdoor screenings over the summer.
The first screening is romance Fidelio, L’Odysée d’Alice.
See the full schedule at http://lostinfrenchlation.com/