Shame slayed La Route du Rock Festival in France 

The French fort at Saint Malo saw post-punk’s Shame play a blistering set on the second stage at La Route du Rock Festival last night (17 August).

Largely taking place across two stages at Le Fort de Saint-Père fort in Saint-Malo, La Route du Rock also features a beach stage by the walled city seafront, and an opening party at the festival’s year-round live venue La Nouvelle Vague.The festival almost completely eliminates choice, giving the crowd a non-stop 6pm-4am programme that alternates one act at a time between the main and second stage. It’s a confident, and completely justified, statement about the organisers’ taste – and it’s worked for more than 25 years.So entering the stage to the fairground blasts of The Vengaboys’ ‘We Like to Party’ was about the most rebellious thing Shame could have done, bringing the remnants of a tasteless time to a festival that prides itself on its timeless taste. Tops came off and mic stands became accessories as they gave their all through a charged set that touched on highlights ‘The Lick’ and ‘One Rizla’ from debut album Songs of Praise, as well as some equally savvy and spiteful brand new material.The crowd lapped up every minute of a set that had none of the refinement, restraint or mystery provided by the rest of the day’s bill – one that included the relatively low key Grizzly Bear, Brian Jonestown Massacre, and The Limiñanas. By the time the band had finished, even the crowd had broken a sweat for the first time today.For their part, The Limiñanas turned their lo-fi recordings into an outstanding rich and layered performance, with a line-up of guest musicians joining founding members Lionel and Marie to open the main stage. It was the perfect smokey soundtrack to see off the last of the sunshine.But the surprise of the night for visitors was the reception for French legend Étienne Daho, well known to the local crowd thanks to a massive pop career spanning more than 30 years. All the 20-somethings on the front row swapped places with their parents to watch Étienne channeling Depeche Mode, backed by a buff band, dry ice and futuristic mood lighting. Finally, Chilean band Föllakzoid closed up, churning out dark and chugging Krautrock until 4am for all those still standing.La Route du Rock continues today. Check their website here for details.

Source: Shame slayed La Route du Rock Festival in France | Gigwise | Gigwise

French electronic duo Her find immortality in their music

“We choose the way we’ll be remembered.” The first song Simon Carpentier and Victor Solf wrote as French electronic duo Her opens their self-titled debut album with those words. Both of them were afraid of the future at the time and needed to make a song about how they should be the ones to decide how they are remembered. No one else could decide.

“We Choose” was released after Carpentier’s death from cancer, aged 27, in August 2017. He and Solf had met over a decade ago at their school in the medieval town of Rennes, north France, forming Her in 2015 after their first band, electro-pop band The Popopopops, split two years earlier.

Knowing their time was limited, they mapped out how they wanted their debut album to sound, and how the entire project would be presented to the world. You’d be hard-pushed to find a record or another band to compare it to, and it’s not what you might expect from a French electronic act.

“Making this album was a very intense part of our life,” Solf says. He’s sat, in an orange roll-neck sweater and black trousers – handsome in a particularly French way, with a strong jaw and dark, close-cropped hair – at a venue in Paris where the first part of a documentary about Her will be shown, along with a live performance by him and his band members.

 

“It was really important for us to be able to produce our songs, to be really focused on the whole project,” he continues. “But it was also important to trust people and bring them in; we’d been working with our sound engineer for five years, even before Her, and he really helped us a lot on the production and the mixing.

“Sometimes you can’t see anymore what’s wrong with a song, so someone a little bit outside can help. It was the same with the musicians, Simon could play the guitar and the bass and I could play the keyboard and some drums, so we could have recorded it ourselves if we’d really wanted, but it’s not how we think about music. We started to work with three other musicians – without computers – in the studio, and it was really nice to have different opinions.” Continue reading “French electronic duo Her find immortality in their music”