
Jean Dieuzaide, Les Gitanes, Sainte-Marie-de-la-Mer, 1948

Photograph by Robert Doisneau
Photograph: Viola Loretti
By David Price
“Once upon a time, when women were birds,
there was the simple understanding that
to sing at dawn and to sing at dusk
was to heal the world through joy.
The birds still remember
what we have forgotten,
that the world is meant to be
celebrated.”
~Terry Tempest Williams
There comes a time when we must allow something timeless to touch us in order to truly change and move beyond our fixed attitudes and limited understanding of the mysteries of life. When it seems like all might end in disaster, it becomes a question of finding the deeper imagination of life, the enduring patterns and essential stories that reunite us to the pulse of nature and the heart of culture.” — Michael Meade
“In exile, we must do as the goddess Innana did, surrendering layer after layer of armour and adornment, until we are bare. We must then undergo a symbolic death of the old life in order to be reborn with greater resilience and a holy assignment to carry forward.
Excerpt from Belonging: Remembering Ourselves Home by Toko-pa Turner (belongingbook.com)
Mass has been canceled here because of the threat of plague but the sonorous bells have been ringing all morning. It’s a comforting sound in its feeling of community and it’s calling to worship the mystery.
The world is a mystery to be celebrated, not used as a tool to make us rich, or even to just survive. It is to be seen in its beauty, recognized as a mystery and consciously celebrated. The mystic vision that goes into art and poetry is needed now. We need to develop a deeper imagination of life. Our imagination of things now is poor. It’s poverty stricken. We are commanded now by circumstances to look again, more deeply, more lovingly, with closer attention. Continue reading “When Women Were Birds”
Faced with the planned demolition of the housing project where she grew up, Mahye decided to organise an open-air photography exhibition. It takes residents of “Les Groux”, in the French suburb of Fresnes, on a journey through their shared childhoods. The Banlieue Project team went to meet her to find out more.
Banlieue Project is a platform for residents of France’s disadvantaged suburbs to tell their own stories. We provide the camera and they film their experiences to break down clichés about the French “banlieues”.
Watch at: Life in a French housing project remembered in photos – Banlieue Project
Over the past two decades, JR has expanded the meaning of public art through his ambitious projects that give visibility and agency to a broad spectrum of people around the world. Showcasing murals, photographs, videos, films, dioramas, and archival materials, JR: Chronicles is the first major exhibition in North America of works by the French-born artist. Working at the intersections of photography, social engagement, and street art, JR collaborates with communities by taking individual portraits, reproducing them at a monumental scale, and wheat pasting them—sometimes illegally—in nearby public spaces.
This soaring multimedia installation traces JR’s career from his early documentation of graffiti artists as a teenager in Paris to his large-scale architectural interventions in cities worldwide to his more recent digitally collaged murals that create collective portraits of diverse publics. The centerpiece of the exhibition is The Chronicles of New York City, a new epic mural of more than one thousand New Yorkers that is accompanied by audio recordings of each person’s story. All of the projects on view honor the voices of everyday people and demonstrate JR’s ongoing commitment to community, collaboration, and civic discourse.
JR: Chronicles is part of the Brooklyn Falls for France cultural season and is curated by Sharon Matt Atkins, Director of Exhibitions and Strategic Initiatives, and Drew Sawyer, Phillip Leonian and Edith Rosenbaum Leonian Curator, Photography, Brooklyn Museum.