On her new CD “Schubert in Love” she recorded a number of songs by Franz Schubert together with the Contraste ensemble. All personal favorite pieces, ranging from the “serenade” to the “winter trip” to Schubert’s “Ave Maria”. A popular selection that sounds completely new in the arrangements of Johan Farjot, the musical director of Ensemble Contraste.

Johan Farjot has rearranged the piano parts of Schubert’s songs for viola, double bass, guitar, drums and piano. Schubert on guitar, bass and drums: this transforms his songs into songs, turns softly throbbing rhythms into swinging ones. Farjot jumps very skillfully between classical, jazz and world music in his arrangements. In some places he even flashes Kurt Weill. He wanted to show Schubert “as a pop composer,” said Farjot. Because the intimacy that defines his music is basically exactly the same intimacy that singer-songwriters work with.

There are also two duets on the album that Rosemary Standley sang together with the French baroque soprano Sandrine Piau. The only moment on the album when Rosemary Standley briefly doubted her project:

” Sandrine is a real opera singer, I’m not. But Johan calmed me down and said: Don´t worry, don´t worry! Don’t worry! It will be good! And yes, I think it actually sounds good, really nice.”

“Schubert in Love” is a charming, playful and idiosyncratic interpretation that shows that you can approach Schubert’s songs in a completely different way. This is not about highly developed artistic singing, but about playing with different sounds and moods.

In addition, Rosemary Standley sings convincingly clear – and proves that as a folk singer you can get to the bottom of Schubert.

Beate Stender, rbbKultur