Camille Cottin Comes To Cannes With ‘Stillwater’ and ‘Our Men’

‘Call My Agent’ Star Camille Cottin Comes To Cannes With Two High-Profile Films – ‘Stillwater’ and ‘Our Men’

Camille Cottin is having quite a year. As more and more folks locked at home tuned into Call My Agent! (Dix pour cent), the Netflix series in which she stars, her profile has risen internationally. The comedy-drama about the trials and tribulations of a Parisian talent agency already had helped her score jobs in Hollywood films pre-pandemic, and now she’s definitely someone to keep an eye on as she continues to build an enviable cross-border résumé.

The Paris native, who spent ages 12 to 17 living in London when her family moved for her stepdad’s job, is appearing in two films in Cannes this year including Directors’ Fortnight closing title Our Men (Mon légionnaire) by Rachel Lang, and Tom McCarthy’s out-of competition drama Stillwater.

Both of those films tackle serious subject matter (more on that later), which may seem out of character for an actress who broke out locally in the Canal+ hidden-camera sketch series Connasse (literally translated: Bitch) in which she inserted herself into daily life situations and turned the tables on unsuspecting Parisians (one notorious episode featured her making penis shaped balloon animals at a children’s birthday party). Connasse spawned a feature film in 2015, The Parisian BitchPrincess of Hearts, also a hidden-camera comedy, which saw her travel to London in an attempt to marry Prince Harry.

Cottin got her initial start in the theater, while also studying English, and did everything from the comedies of Feydeau to Bulgakov’s The Master and Margarita. Though she also played the antagonist in Season 3 of BBC drama Killing Eve, many of her French film roles have been in comedies. Unsurprisingly, Cottin prefers not to be defined by genre. “I think comedy, like drama, can elicit emotion,” she says. “That’s what I’m looking for. For me, it’s about rhythm. I see comedy like accelerated drama. Chaplin is dramatic, but it goes so fast that we laugh at it.”

Call My Agent! straddles both worlds, just as Cottin is doing in her career. Her character, the tightly-wound Andrea, she says, “is not a funny person; it’s super rare that she laughs. She’s always concentrated, always stressed. She spends her life trying to solve problems. It’s really the situations that are funny and she’s always getting tripped up. I try to keep a small distance where we know we are playing, that’s also part of comedy, so it’s a miniscule bit of complicity with the audience. We fully embrace the situations which are sometimes dramatic, but it’s also the way they are treated that makes comedy.”

Continue reading “Camille Cottin Comes To Cannes With ‘Stillwater’ and ‘Our Men’”


Comme une Française: Breaking Down Netflix’s Call My Agent for English Speakers

One of the best ways to learn how to understand spoken French is through pop culture and TV shows. That’s why today, we’re going to look at a scene from the popular Netflix series “Call my Agent” and analyze the dialogue, so you can learn how to better understand real, everyday French conversation. From casual French slang to knowing what to say in an awkward situation, this short clip gives us lots of great insight into modern spoken French. What was your biggest takeaway from the lesson? Be sure to let me know in the comments.Take care and stay safe. 😘 from Grenoble, France.


Call My Agent!: A film and a fifth season are in the works

Call My Agent

What will become Andrea, Matthias, Hervé, Noémie and Camille? Although it seemingly ended it in Fall 2020, the show Call my Agent! is making its comeback. Vogue looks over the different projects inspired by the show.

French shows rarely become popular overseas, but with Call my Agent!, creator Fanny Herrero succeeded. With a Parisian office, a pile of scripts, a bunch of famous actors and endless love stories, the series, broadcast on France 2 in France, had all the ingredients for success. The charm of the show was that the stars are not the actors, but their agents, whose job consists of booking them big gigs… and maintaining their chaotic lifesytles. The biggest names of French cinema including Nathalie BayeFabrice Luchini and even Isabelle Adjani, took part in the show with a remarkable sense of humour that seduced the public around the world. Call my Agent! also benefited from being streamed on Netflix, and by Sigourney Weaver‘s presence in the fourth season, to become a Hollywood hit. Viewers were devastated to see the A.S.K agency close down, and the show’s team seemed to agree, as they are already working on the sequel, after the last season left us with so many unanswered questions.


A film in New York?

A few days after the end of the fourth – and for now final – season, Dominique Besnehard declared that the A.S.K agency wasn’t done finished yet. The famous celebrity agent and producer of the show recently hinted at a possible film, as well as a fifth season. The project seems to have taken off, since the production agency Mediawan has officially confirmed it on Twitter.

At Europe 1, the president of Mediawan StudiosThomas Argynos, seems enthusiastic at the idea of creating a film: “We’re making great progress… We want to produce it this year, and we’re looking to air it likely at the end of the year or early next year. And we’ll move forward with a new season for Call My Agent.”

Continue reading “Call My Agent!: A film and a fifth season are in the works”

Why I’m glad to see the back of Call My Agent!

By James Delingpole

For the past few weeks I have been binge-watching the Netflix series Call My Agent! (or Dix pour cent, as it is more satisfyingly known in France). Though it’s not quite as exquisite, multilayered and beguiling as my all-time favourite French drama Le Bureau, it has a similar appeal: strong, well-drawn characters in a distinctive setting in another country (France, obvs) where they do things differently because everyone is just so damned French.

This time it’s not about foreign intelligence services but a movie talent agency which, though perpetually on its uppers (for the purposes of that TV concept known as ‘jeopardy’, I suppose), nevertheless seems to have on its books all the most bankable stars in France. They crop up, playing themselves, in cameo roles. You can detect the series getting more popular and successful because the level of celebrity it attracts increases, from ones you’ve never heard of in season one to stars such as Isabelle Huppert, Monica Bellucci, Charlotte Gainsbourg and Sigourney Weaver in the later ones. Continue reading “Why I’m glad to see the back of Call My Agent!”

The most radical viewing on TV right now? ‘Call My Agent!’

Wherever you live, there’s a Facebook mothers’ page. They are so geographically specific that you can belong to multiple pages at once — in my case that means the local village, the local town and of course the greater municipality.

Posts during the pandemic have been revealing: never have I seen so many desperate requests for recommendations about affordable printers and printer ink. My favourite lockdown post so far: “Can someone please get me excited about air fryers?”

But by far the most common COVID-19 post has been the request for new things to watch on Netflix. With so many of us at home day and night, we’re ripping through TV offerings like there’s no tomorrow. Because in many ways, as one day feels much like the next, there isn’t. Starting a new TV series is one way of charting some kind of progression through the stasis. So we ask for suggestions.

And here is what I write, over and over again: “Call My Agent! Call My Agent! CALL MY AGENT!!!”

I’ll admit I was hesitant to try it at first because it’s French and … you know … subtitles. It’s that extra layer of neurological processing when my neurons are fully booked as it is. That stopped being a concern about five minutes into the first episode.

The show (called “Dix Pour Cent” in France) is about the people working at a Paris talent agency: the agents and their assistants are constantly scrambling to negotiate the vagaries and machinations of actors, directors, screenwriters and other agents, not to mention their own missteps and desires. It’s about many things but its particular genius is the way it depicts women.

Consider this: according to a 2015 study of 6,000 American actors, the women have slightly more roles than the men up until they turn 30, when things quickly and steadily decline. At their peak, the women average four roles per five years. For the men, their roles continue to increase until they’re 46 years old (an extra 16 years of career growth and maximized income), and their peak is five roles per five years. Men’s roles continue to outstrip women’s for 34 more years, until both reach 80 years old.

Even Sandra Bullock’s roles peaked at 29.

Continue reading “The most radical viewing on TV right now? ‘Call My Agent!’”

Comme une Française: Fast Spoken French Tips from ‘Call My Agent’

Real, fast spoken French can be very hard to understand, no matter how long you’ve been studying the language! French slang, eating syllables… even dropping the “ne” in negative sentences. One of the best ways to improve your understanding of fast spoken French is through exposure. Today, we’re going to practice your understanding with the popular Netflix show, Call My Agent.

Take care and stay safe. 😘 from Grenoble, France.