Awarded at the Victoire de la musique this year, the young singer Pomme takes over La Cartonnerie for an intimate session!Between Paris and Montreal, the 24-year-old author, composer and performer unveils pop-folk music in a melancholy atmosphere.
Discovered three years ago with her album ” À propos”, her project comes to life on stage when she meets her audience during a tour of over 300 concerts. Back in 2019 with her new album “Les failles” then during her reissue entitled “Les Failles Cachées” in February 2020, the singer takes us into her sensitive and refined universe. Behind his guitar, Pomme recounts his doubts and his wounds using writing as real therapy.
At La Cartonnerie in Paris, Pomme performs the songs “La lumière”, “Les cours d’eau” and “Soleil soleil” live!
In the latest of her Global Music Match dispatches, The Magpies’ Holly Brandon meets up with Canadian trio VISHTEN, whose music thrillingly combines a rich cultural heritage with contemporary rock
MULTI-INSTRUMENTALISTS Emmanuelle and Pastelle LeBlanc and Pascal Miousse — Vishten — have been dazzling audiences with a fierylend of traditional French songs and original instrumentation for over a decade.
The name Vishten is a nod to the eponymous song whose lyrics are a percussive amalgam of French, Mi’kmaq and English, a musical realisation of the band’s fascinating Acadian heritage.
For millennia Acadia, a region in north-eastern North America, was occupied by the Mi’kmaq people. It was colonised by the French in 1604, hence the strong Francophone influence in the songs, while subsequent settlers from Ireland and Scotland left their Celtic stamp on the music
In the 1750s, following the British conquest, the Acadians’ refusal to swear allegiance to the British crown resulted in a deportation that saw the expulsion of almost 12,000 Acadians to the British-American colonies further south. When they returned, they added their newfound US influences to the Acadian musical melting pot. Continue reading “Music History in the here and now”→
Juliette Gréco, the singing muse of bohemian postwar Paris who became the grande dame of chanson française and an internationally known actress, died on Wednesday at her home near Saint-Tropez. She was 93.
Her family announced the death in a statement sent to the news agency Agence France-Presse.
For almost seven decades, Ms. Gréco was a loyal practitioner of the musical tradition known as chanson française, a specific storytelling genre of popular music. The songs are “like little plays,” she told The New York Times in 1999, adding: “They’re typically French. We’re a people who express our love in songs, our anger in songs, even our revolution in songs.”
She was the darling of critics, as well as of the intellectuals whose world she inhabited. Ms. Gréco’s ultimate rave review came from a friend, the Existentialist philosopher Jean-Paul Sartre, who said simply, “Gréco has a million poems in her voice.”
Her signature hits included “Sous le Ciel de Paris” (“Under Paris Skies”), “Les Feuilles Mortes” (which English speakers know as “Autumn Leaves”), “Déshabillez-Moi” (“Undress Me”), “Jolie Môme” (“Pretty Kid”) and “Je Suis Comme Je Suis” (“I Am What I Am”). -Source: NY Times