The fair underscores its links with the museum world in its third edition. Plus highlights from Paris Photo and Also Known as Africa
Fine Arts Paris began in 2017 as a boutique affair of 34 dealers, and though it has now grown to 46 exhibitors – most of them French – it still prides itself on carefully crafted displays and museum-quality works. This year (13–17 November), the fair is looking to underscore its links with the museum world with an events programme that offers behind-the-scenes tours of various institutions. Visitors will also be treated to a first look at the Château de Fontainebleau’s most recent acquisition: a late 16th-century mythological scene by a follower of Francesco Primaticcio. La Piscine – the museum of art and industry in Roubaix – provides a pop-up display of works from its collection, by artists including Marc Chagall and Camille Claudel.
At Galerie Charvet there is a selling exhibition on the theme of museum interiors; highlights include a painting of a man polishing the armour of a horse guard at the Royal Armoury in Turin, by the Piedmontese artist Giovanni Giani in 1892. [ . . . ]
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His figures capture the most universal of human emotions – passion, contemplation, despair. Auguste Rodin is known as the father of modern sculpture, an artist who managed to convey the drama of life in stone and in bronze. His talent and monumental works have been celebrated for a century now at the Rodin Museum in Paris. FRANCE 24 brings you a special programme on Rodin’s artistic legacy.
Grâce à de nombreux prêts, le musée d’Orsay propose une rétrospective exceptionnelle de Berthe Morisot, un des grands noms de l’impressionnisme
Berthe Morisot (1841-1895) is not a dilettante painter, who would have exercised her talent as a bourgeois woman educated in the arts, in the shadow of Manet, Renoir and Monet, but a true professional painter, a founding figure of the Impressionism which exercised an art full of daring and modernity: this is shown by an exceptional exhibition at the Musée d’Orsay , which had never devoted a retrospective to him.
This is an event because of the 75 or so works collected at the Musée d’Orsay, half (37) come from private collections, only a dozen from French museums, the others are lent by foreign museums. Indeed, French public collections have been slow to take Berthe Morisot seriously and have very few of his works, while collectors and American museums have quickly bought his paintings. The exhibition shows paintings that have never been seen in France for decades.
Berthe Morisot was born in Bourges in 1841 into a bourgeois family (her father, then, is prefect). Her future wife and mother at home are all drawn. But his mother, open to the arts, teaches music and painting to her three daughters. It is not a career, but the two younger girls, Berthe and Edma, show a talent that leads them from a particular course to a certain Geoffroy Alphonse Chocarne to the Louvre where they copy the classics, from 1858. There they meet Henri Fantin-Latour, before meeting Corot.