Several Impressionist paintings are coming home for the occasion.
By the standards of even the most feverish of Monet fans, the standing display of the Impressionist master at Boston’s Museum of Fine Arts is pretty damn good. On any given visit, you’re likely to see 10 or 12 at a time — luminous grainstacks, shimmering waterlilies, a mountain glade, and more often than not, that gleefully bizarre portrait of Camille, the painter’s wife, swathed in a demonic kimono.
So how would you feel about seeing, say, 35 Monet paintings all at once? That’s the full complement of the museums’ holdings. Out they’ll come in April, reunited for the first time in a quarter century [ . . . ]
Continue at: ‘Monet and Boston’ will celebrate a strong connection, collection at the MFA – The Boston Globe
Understanding Picasso’s art, Gilot’s memoir shows, is inseparable from understanding both his genius and monstrousness.
Early on in their relationship, the painter and writer Françoise Gilot almost left Pablo Picasso. It was 1946, and the pair had gone from Paris to the South of France for the summer. It sounds romantic and likely would have been, if Picasso hadn’t insisted that they stay in the house he had given to the photographer Dora Maar, his partner before Gilot. Maar wasn’t around, but soon after they arrived, Picasso began receiving devoted daily letters from yet another former lover, Marie-Thérèse Walter, which he would read aloud every morning. As if that weren’t enough, the place was overrun with scorpions. Suddenly, Gilot found herself stuck in a “hostile environment,” as she writes in her memoir, Life With Picasso, which was originally published in 1964 and recently rereleased by New York Review Books Continue reading “The Entwined Lives of Françoise Gilot and Pablo Picasso”
The fair underscores its links with the museum world in its third edition. Plus highlights from Paris Photo and Also Known as Africa
Fine Arts Paris began in 2017 as a boutique affair of 34 dealers, and though it has now grown to 46 exhibitors – most of them French – it still prides itself on carefully crafted displays and museum-quality works. This year (13–17 November), the fair is looking to underscore its links with the museum world with an events programme that offers behind-the-scenes tours of various institutions. Visitors will also be treated to a first look at the Château de Fontainebleau’s most recent acquisition: a late 16th-century mythological scene by a follower of Francesco Primaticcio. La Piscine – the museum of art and industry in Roubaix – provides a pop-up display of works from its collection, by artists including Marc Chagall and Camille Claudel.
At Galerie Charvet there is a selling exhibition on the theme of museum interiors; highlights include a painting of a man polishing the armour of a horse guard at the Royal Armoury in Turin, by the Piedmontese artist Giovanni Giani in 1892. [ . . . ]
Continue at APOLLO MAGAZINE: Fine Arts Paris and beyond | Apollo Magazine
The United Nations’ cultural agency has been criticized for covering up the genitalia of a series of nude sculptures with underwear.
Works by French sculptor Stéphane Simon, which show nude, classical-style figures taking selfies, were being displayed in Paris during UNESCO’s European Heritage Days event in September.
But officials decided to cover the offending parts of the artworks with underwear, to the shock of Simon and the ridicule of arts commentators.
Source: Artist ‘Humiliated’ After His Nude Sculpture Was Covered With Underwear for Paris Event | KTLA