A Thanksgiving Dinner That Longs for France 

Recipes for a small but still lavish holiday meal.

Between 2008, when I moved with my family to Lyon, and 2013, when we moved back to New York, we celebrated Thanksgiving with a loose confederation of American acquaintances. Many were there because they had fallen in love with a French partner and settled in the city. Some had married people of other nationalities. For us, the city was an appealing mix of what seemed like everyone from everywhere, and no Thanksgiving ever felt simply American, except, possibly, the one we hosted. I had to order a bird well in advance (the French rarely eat turkey in November) and planned an unapologetically kitschy menu, including classics from childhood: marshmallows on sweet potatoes, canned cranberry sauce (which our son Frederick decided was the best food he had tasted in his life), and pumpkin pie made with Carnation condensed milk, bought at the nearby “American” bagel store (where you also found Coke in a bottle, Froot Loops, and Welch’s grape jelly). The pie troubled our French friends: a sweet tart confected from a savory ingredient? They were also uncomfortable with so much cinnamon, a spice that they mysteriously loathed to the point (in one case) of gagging. For many years, our son George didn’t understand why you would add cinnamon to anything.

Our other Thanksgivings never took place on the actual day (Thanksgiving, obviously, is not a French holiday, and on the Thursday in question people work). Our friends Victor (American) and Sylvie (French) hosted one on a Saturday night, buffet style, where French was the principal language spoken. My wife’s friend Bridget hosted another where she provided the turkey and asked guests to provide everything else. The evening was relaxed—no stress about traditions or obligatory dishes or family members in a low-blood sugar moment (although Frederick was disappointed not to have any jellied cranberry)—and featured some extravagant displays of exceptional French cooking. I have trouble remembering the exact dishes, though, because there was also an abundance of fine Beaujolais. (We drove to the dinner; we returned by public transport.) For my part, I arrived with three dishes instead of one, including pumpkin pie made with a butter pastry, a Port sauce for the turkey, and ingredients for whipping up buttery mashed potatoes in the style of the late, great chef Joël Robuchon. My wife has ridiculed me to this day—was I trying to show off? But I had got excited by what France had taught me about cooking, and by the challenge of applying it to traditional American fare. (And I was probably showing off.)

The menu for this year’s Thanksgiving is one I could imagine making if we were in France now, hosting friends. It is also informed by a longing to be there among them. Since leaving Lyon, we have returned to visit every year. This year we didn’t. Also, after we returned to the United States my mother died, and, for my sister and me, her death has changed how we observe Thanksgiving. Always a family holiday, at least theoretically, it is now a family extravaganza, celebrated with as many family members as possible, and with exuberant quantities of food and wine and game-playing and outright jubilation, as if to shout down our buried feelings of sorrow. This year, we, like many others, won’t be seeing those relatives. The menu I’ve devised is a lot for a family of four, and it is lavish (it includes a truffle!), because we’re celebrating nonetheless, and maybe, too, because we want to keep busy and make a lot of noise so that we don’t notice all the people who are not with us. I’ve made food for six, though, just in case a pair of cousins happen, against all odds, to drop by.

French Thanksgiving Dinner

Serves 6, with leftovers

Menu
  • Cranberry Sauce with Banyuls
  • Quince Sauce with Quince Nectar and Calvados
  • Turkey Legs Braised in Red Wine
  • Roasted Turkey Breast with Madeira Sauce and Mushroom-Truffle Stuffing
  • Purée de Pommes de Terre, à la the Late Chef Joël Robuchon
  • Sautéed Fennel with Orange Glaze
  • Brussels Sprouts with Poitrine
  • Pumpkin Pie

Cranberry Sauce

Cranberry and quince sauces.
Quince with calvados (left) and cranberry sauce with Banyuls.

Cranberry is one of the great American flavors, and the sauce made from it is perfect with turkey. But it is also perfect with just about anything else you will cook this winter, including scallops, pork roast, even omelets. If kept from being too sweet (there is a tendency in most recipes to counter the fruit’s sharp, sour bite with an excess of sugar), the sauce has a brightness and a zing that are like nothing else you will find easily on a winter plate. It is also naturally gelatinous and surprisingly full in the mouth. It is just an outright happy sauce. Make it in abundance. Make it for now and later and for February. You can store it in containers in the freezer.

The French touch: a bottle of Banyuls and a fresh vanilla pod. Banyuls is one of the several fortified sweet wines that you find in southeastern France. The alcohol is high at 16.5 per cent, it costs fifteen to twenty dollars a bottle, and, like the cranberry, it has bright, zingy flavors. (The cook also found it to be a perfectly sound refreshment while finishing the turkey.) Vanilla is one of the fundamentals of the French palate, and not only in pastry; perhaps only the shallot is more pervasive.

Ingredients
  • 1 lb. fresh cranberries
  • ½ cup sugar
  • 1 vanilla bean, whole
  • Black pepper, to taste
  • ½ cup or more Banyuls wine
Directions

1. Wash cranberries and toss with sugar. Add to a saucepan.
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French cinema club for English speakers goes online – but not for viewing in U.S.

Cinema lovers who struggle to watch French movies without English subtitles may rejoice as Lost in Frenchlation is setting up virtual screenings starting this Friday.

 

What is happening?

Lost in Frenchlation, a cinema group that regularly screens French films with English subtitles in Paris, will host its first virtual screening on Friday, November 27th, at 8pm.

“These virtual screenings will take place every Friday until cinemas reopen,” Manon Kerjean, Founder of Lost in Translation, told The Local.

Which film is on this week?

Friday’s film is called À cœur battant (The End of Love) and tells the story of a couple that must embark on a long distance relationship where their conversations are reduced to video calls.

A fuller description of the – arguably very timely – film is available on the Facebook event (link here).

The screening will be followed by a discussion with director Keren Ben Rafael and the scriptwriter.

Who can access?

The screening will be limited to France only, so those interested must confirm their location in order to purchase tickets.

Tickets cost €5 and can be found here.

What is Lost in Frenchlation?

Lost in Frenchlation is a company that sets up screenings of recent French film releases with English subtitles to give Paris’s large international community access to French culture and meet others in the same situation.

Usually the events are always preceded with drinks (including a cocktail inspired by the film), but since Covid-19 forced cinemas across France to close their doors that has no longer been feasible.

On the plus side, these new virtual screenings will be available to all of France, meaning not just Parisians will be able to access new French films with English subtitles.

In addition to the online screenings, Lost in Frenchlation has launched a VOD page (link here) with more than 70 French films available to watch with subtitles in different foreign languages, including, of course, English.

The first movie is free. After that, you may rent or buy the film.

For more information, check out their website or sign up to their newsletter (link here).

Source: French cinema club for English speakers goes online with virtual screenings – The Local

Back to Black: The Charcoal Trend in French Cooking

Black Bread

A local baker and a Michelin-starred chef have mastered the dark force of charcoal. Patrice Bertrand finds out more. 

On a beautiful autumn morning, at the market in the picturesque spa village of Montbrun-les-Bains, in the Drôme Provençale, baker Norbert Jouveau cuts a few slices of a deep black-coloured bread in front of a group of intrigued onlookers. He hands out some slices to them, saying, “Taste this. It’s made with vegetable charcoal. It’s delicious and it’s good for your health.” At first sceptical, a woman tastes it, and then says: “It’s really good. I’ll take a loaf!”.

Eye of the Beholder

“It’s often like that,” jokes Norbert. “The visual effect is very important. Sometimes people are first repelled by the colour but when they taste the bread, they quickly change their mind. Charcoal is known for its many virtues: it reduces cholesterol, it regulates intestinal transit and balances kidney function. In addition, it’s good for the breath!” he says.

Norbert started making charcoal bread five years ago, in the tiny village of Curel, near Sisteron, where he also runs a guesthouse called L’Auberge du Vallon des Amoureux (The Lovers’ Valley Inn). “I was curious to use this ingredient,” he says. “I first tested it on myself and I realised that it was very effective for the gastric system. Then I started selling it.

“Of course, the charcoal I use is not the charcoal we use for grilling,” says Norbert, who makes about 30kg or a hundred loaves a week. “It is made from light wood, in my case poplar, which is purified, controlled and does not contain indigestible elements. I use 10g per kilo of flour and mix directly. This is enough to give the bread its black colour. Any less, it does not provide any benefit for digestion and, any more, we get a doughier bread that bakes quite poorly.”

Artisan baker Norbert Jouveau wows market-goers. Photo © Christophe Constant

Marvellous Monochrome

Known since Antiquity for its purifying and digestive properties, vegetable charcoal has recently been making a real comeback in French bakeries, pizzerias and upscale restaurants.

Further north in the Alps, at Le Chabichou-Courchevel, an upmarket Relais & Châteaux resort in the Tarentaise Valley, vegetable charcoal is more about colour. With this ingredient, Stéphane Buron, the chef at its two Michelin-starred restaurant, creates dishes as delicious as they are spectacular-looking.

 

Stéphane Buron uses charcoal to create breathtaking dishes. Photo © Chabichou-Courchevel

“In terms of taste, vegetable charcoal does nothing but, in cooking, I love everything that is monochrome,” he explains. “For example, it allows me to make black truffle tartlets with a thin and crispy charcoal dough. Or tricoloured ravioli of poultry liver, black trumpet mushroom tartlets with black jelly, smoked mozzarella with charcoal in the breadcrumbs.”

Added to this list are, among others, a puffed bread with vegetable charcoal, a fera (local lake fish) foam smoked with Ossetra caviar and black radish cream. The effect is stunning.

Stéphane Buron says: “I have been using charcoal for three years. Before, I used squid ink which has strong colouring power but coagulates and is sticky. However, vegetable charcoal is a completely dry ingredient. You can mix it with bread dough and get beautiful monochrome colours. The customers love it.”

Chef Stéphane Buron. Photo © Chabichou-Courchevel

Source: Back to Black: The Charcoal Trend in French Cooking