C'est magnifique, non?
Claude Debussy: The Girl with the Flaxen Hair
La fille aux cheveux de lin is a musical composition by French composer Claude Debussy. It is the eighth of the composer’s Préludes, Book I (1909-1910). The title is in French and translates roughly to “The Girl with the Flaxen Hair”. The piece is 39 bars long and lasts about two and a half minutes. It is one of the most recorded of Debussy’s pieces, both in its original version and various arrangements. It is in the key of G♭ major.
Pianist Walter Morse Rummel (1887-1953) gave the premiere of La Fille aux cheveux de lin on 26 July 1910 at the Casino, Stockbridge, Massachusetts.
Comme une Française: Outdated French from the 70’s
If you learned French in the 70’s, you might still be using these outdated words and expressions… Here’s what to do instead.
Do you still use the word “groovy” to talk about something you think is cool? What about “jeepers creepers” when you hear something shocking? Probably not, right? Well, the same goes for French: the French slang terms you learned in the 70’s are outdated today. In today’s lesson, we’ll explore some of those outdated terms, and what you should Take care and stay safe. 😘 from Grenoble, France. Géraldine
Fake or real? The Lumière brothers’ “Snowball Fight” from 1896
The Snowball Fight shot by the Lumière Brothers in 1896 is a fascinating little video that recently got restored and went viral. Whenever I see it I want to watch it over and over again. But why is it so special? And is it even real?
00:00 Introduction
01:37 Who shot the snowball fight?
02:01 Where was the fight shot?
02:40 Was the fight spontaneous?
03:48 Fake vs. real
05:36 Conclusion
SOURCES
– Upscaled video by Dmitriy Badin: https://youtu.be/tuFu9-bfnQk
– La Bataille de Boules de Neiges, Lumière Brothers, 1897
– L’Arroseur Arrosé, Lumière Brothers, 1895
– L’Arrivée d’un train en gare de La Ciotat, Lumière Brothers 1896
– Deepfake video footage: Aayush Bansal, researcher at Carnegie Melon University
– Aerial photo of the Institut Lumière: http://www.institut-lumiere.org/musee…
– ‘Watch This Snowball Fight From 1897 for a Jolt of Pure Joy’, Sam Anderson, New York Times, Nov 5 2020, https://www.nytimes.com/2020/11/05/ma…
MUSIC
All music licenced by Epidemic Sounds
These Shoes only Go Backwards – Jerry Lacey
Antidote X – Van Sandano
Buster – Jerry Lacey
Portobello Road – David Celeste
Try and Catch us Now – David Celeste
A Few Favorite French Christmas Traditions
By Catherine Rickman
Christmastime is all about pomp and circumstance and tradition, and who does tradition better than the meticulous French? In this video from France-based New Zealander Rosie (AKA Not Even French, currently back in NZ for quarantine), you’ll get to explore a few of the fun habits the French have picked up over several hundred Decembers.
Some things are similar, like Santa Claus or Père Noël, but did you know about his spooky brother, Père Fouettard? How about what a papillote is? Or what French children leave out for Santa instead of stockings? Rosie touches on things like the religious remnants of Catholic France, like the popularity of calendriers de l’avent or the handmade santons in a crèche, or nativity scene. She covers Réveillon, the great Christmas Eve feast (more on that here), and mentions the delicious Treize Desserts popular in Provence. And we’ll help fill in her gaps on knowledge of French Christmas songs in this list.
So whether you’re spending Christmas in France, or just dreaming of the vitrines at the Galeries Lafayette, enjoy this little sampler of French holiday customs this season.
Source: A Few Favorite French Christmas Traditions – Frenchly
Camille Claudel: The Famous Sculptor Who Changed The History Of Art
Camille Claudel a French sculptor who broke moulds for women in art. Claudel “The Age of Maturity” legend whose achievement has left a lasting legacy and universally acknowledged as a great sculptor in her own right.
By Sindhu Shivdas
Throughout history, there has been a famous sculptor who has withstood the test of time. Perhaps they are valued for their ability to create highly realistic figures or maybe they are prized for their willingness to push boundaries and defy expectations. Camille Claudel is one of the names that stood the test of time.
Bio:
Playing in two dimensions is easy enough, but what truly separates the women from the girls? Maybe it’s when you give up your easel for a tool belt and get to work with hammer and chisel. Such a sculptor was Camille a unique artist deeply involved in creating and constantly trying to open new doors.
Camille Claudel was born in 1864 in Fere-en-Tardenois, France. The French sculptor who defied gender based restrictions to pursue her art, She did her art studies at the Academie Colarossi in Paris, one of the handful of progressive art schools that accepted women students. Sculptor Alfred Boucher one of the most celebrated French sculptor of the late 19th century took Claudel under his wing and became her mentor for over three years, before moving to Florence.
Under Boucher’s guidance, she rented a workshop in 1882 with other young women sculptors including English sculptor Lipscomb. Claudel recognition for artistic talents came retrospectively and she is also remembered for her dramatic relationship with renowned sculptor Auguste Rodin. A major turning point in Claudel’s professional and personnel life occurred in the autumn of 1882, when Alfred Boucher left paris for Italy and asked his friend, the renowned sculptor Auguste Rodin, to take over supervising Claudel’s studio.
Being Rodin’s only female student, Claudel quickly proved her talents through contributions to some of Rodin’s most monumental works, including the hands and feet of several figures in The Gates of Hell. Working with Rodin she became romantically involved with him.
Camille Claudel and Auguste Rodin Passionate Love Affair
Claudel and Rodin shared a connection beyond sculpture, and by 1882 the pair was engaged in love affair. Rodin was a married person got infactuated with Claudel’s style and encouraged her to exhibit and sell her works. He also used Claudel as a model for both individual portraits and anatomical elements on larger works, such as La Pensee and The kiss.
Since there was gender-based discrimination which was rife in the art world, Claudel couldn’t release some of her daring sculpture ideas and she turned to Rodin to collaborate with her in order to get them made. And this instead made Rodin to receive credit for her ideas. This led to the breakdown of their long-term relationship and Claudel struggled to gain recognition of her own.
Camille Fighting For Recognition
Although continued to be productive through the first several years of the 20th century, the loss of Rodin’s public endorsement made her to struggled to find support. And moreover commisions of her work were scant due to her highly individual style which did not suit conserative tastes at the time, which paved her to mental illness and poverty. Continue reading “Camille Claudel: The Famous Sculptor Who Changed The History Of Art”