Original Motion Picture Soundtrack of Camille Claudel composed by Gabriel Yared
Newly remastered and expanded edition.
12-page CD booklet with French and English liner notes by Gabriel Yared.
Limited Edition of 350 units.
In collaboration with Yad Music, Music Box Records presents the newly remastered and expanded edition of Gabriel Yared’s score to the 1988 drama film Camille Claudel, starring Isabelle Adjani and Gérard Depardieu, and directed by French cinematographer turned director Bruno Nuytten.
Adapted from the biography written by Paul Claudel’s granddaughter Reine-Marie Paris, the film was a project initiated by Isabelle Adjani. The film tells the story of the troubled life of French sculptor Camille Claudel and her long relationship with the sculptor Auguste Rodin. Camille Claudel received wide public and critical acclaim, won five César awards including the one for Best Feature Film and contributed to the rediscovery of the sculptress’ works.
To illustrate the artistic and amorous passion of the characters onscreen, Gabriel Yared composed beautiful strings pieces inspired by German postromantic music. This album allows listeners to fully appreciate the many shades of this score by adding several previously unreleased tracks to the original edition. The 12-page booklet by Gabriel Yared gives insight into the scoring process. This is a limited edition of 350 units.
While many biographies of artists focus on their tortured personal lives, Rodin maintains a close focus on sculpture itself and what makes it last.
Deep into Rodin, Jacques Doillon’s quietly satisfying portrait of the famed French sculptor, a group of stuffy sponsors circles Auguste Rodin’s almost completed statue of France’s beloved novelist Honore de Balzac. Rodin (Vincent Lindon) has given the writer an enormous gut (he used a pregnant young woman and a draft horse rider as models for the belly), which the artist made capacious enough to house, in his imagination, the teeming characters who peopled the 19th-century writer’s stories. And, perhaps, his appetites.[ . . . ]
In Paris, 1880, forty-year-old Auguste Rodin at last receives his first state commission: The Gates of Hell, a sculptural group work composed of many figures, some of which would be the basis of free-standing sculptures that would later bring him fame, such as The Kiss and The Thinker. At the time, he shares his life with Rose, his longtime companion. He meets young Camille Claudel, his most talented student, who quickly becomes his assistant, then his mistress. Ten years of passion, but also of mutual admiration and complicity. After their break-up, Rodin relentlessly pursues his work, coping with the rejection and the enthusiasm provoked by the sensuality of his sculptures, and with his Balzac, rejected during his lifetime, he creates the uncontested departure point of modern sculpture | More at UniFrance
The hundredth anniversary of the death of Auguste Rodin prompts “Rodin at the Met,” a show of the Metropolitan Museum’s considerable holdings in works by the artist. But no occasion is really needed. Rodin is always with us, the greatest sculptor of the nearly four centuries since Gian Lorenzo Bernini perfected and exalted the Baroque. Matter made flesh and returned to matter, with clay cast in bronze: Rodin. (There are carvings in the show, too, but made by assistants whom he directed. He couldn’t feel stone.) You know he’s great even when you’re not in a mood for him [ . . . ]