First festival: four “Photographic stories” in the den of the abbey of Silvacane

The Abbey of Silvacane in La Roque d’Anthéron (Bouches-du-Rhône) hosts until September 30, 2017 its first festival of “Photographic Stories”. Four projects, led by five international photographers – Hélène David, Ritta Ikonen and Karoline Hjorth forming a duo, Corey Arnold and Amy Friend – give their singular vision of the world. On the menu of the journey: commitment, poetry, humor.

Source: First festival: four “Photographic stories” in the den of the abbey of Silvacane

“Jeannette, the childhood of Joan of Arc”, the musical of Bruno Dumont after Charles Péguy

“Jeannette, the childhood of Joan of Arc” is a musical. This writing, do not expect a dish in sauce of the style “The Ten Commandments”, version Élie Chouraqui and Pascal Obispo, or an adaptation in the mode “Joan of Arc Superstar”. There are, at the beginning, the texts that Charles Péguy dedicated to the Maid of Orleans: “Joan of Arc”, dating from 1897 while he was still an atheist, and “The mystery of the charity of Jeanne d ‘Arc’, of 1910, when he regained the Catholic faith. That already marks its difference. Then there is the look of Bruno Dumont. The director of ” Ma Loute ” presented in Cannes last year, and ” P’tit Quinquin ” in 2014, [ . . . ]

It would be a pity to limit the gaze on this film to those gags who often hold anachronism. It goes much further than that.

Source: “Jeannette, childhood of Joan of Arc”, the musical of Bruno Dumont after Charles Péguy

With “70 years to the West ” Gilles Servat still sings the love of his Brittany

At 70, Gilles Servat continues to tour in all the corners of Brittany and publishes an album that is the name of this show: “70 years to the West !!!”. Chantre of his region, along with a few other artists, he has done much since the 1970s to give back to his culture of letters of nobility.

Gilles Servat was not born Breton. This is an assertion that is likely to surprise many, as its name invariably evokes the land of Armor and Arvor. Certainly, his maternal family is native to the Breton Breton Croisic city, but our bard was born far in the Hautes-Pyrenees! It is now fifty years that he walks his guitar and sings his repertory inspired by the breton tradition. Enormous star in his region, he published a public album reproducing the songs of his tour on all the scenes that counts Brittany.

//embedftv-a.akamaihd.net/a34d3ee8f0c3ea685b071cf5eb472252<br /><a href=”http://culturebox.francetvinfo.fr/musique/rock/apres-l-avoir-inauguree-catherine-ringer-fete-les-30-ans-de-la-cigale-a-paris-262287&#8243; target=”_blank”>Catherine Ringer 30 ans de la Cigale</a>

Source: With “70 years to the West !!!” Gilles Servat still sings the love of his Brittany

French pranksters replace holy water with alcohol

Tourists visiting a church in the picturesque French town of Chateau-Chalon were surprised to discover that local pranksters had replaced the fonts’ holy water with alcohol, the local tourism office said on Friday.

A dozen tourists sniffed out the telltale signs of eau-de-vie, a clear fruit brandy, when they visited the church in Jura, eastern France, at the end of August. “I made the sign of the cross and it smelt like eau-de-vie. Is this a local tradition?” the tourists asked officials at the nearby visitor centre. The enquiries prompted the authorities to carry out an impromptu investigation.  “A litre of brandy had been poured into both of the fonts, you really smelt the alcohol when you walked into the church,” local tourism official Pauline Fisseau said. The church is not regularly used for mass and the fonts are usually empty. The two fonts were immediately drained and cleaned before being filled with more traditional holy water ahead of a festival the following day. The identity of the pranksters and their intentions remains unknown. Village mayor Christian Vuillaume said it was “clearly a joke”.

Source: French pranksters replace holy water with alcohol – The Local

Charlotte Gainsbourg Announces First New Album in 7 Years

 

Rest includes collaborations with Paul McCartney, Daft Punk’s Guy-Manuel de Homem-Christo, and others

Charlotte Gainsbourg has announced the long-awaited follow-up to her Beck-assisted 2010 album IRM (and the 2011 compilation Stage Whisper). Rest is out November 17 via Because Music. She’s also shared the title track, which was co-written and produced by Daft Punk’s Guy-Manuel de Homem-Christo. Check out the song below, and scroll down to preview her self-directed music video. The album was produced by SebastiAn and features collaborations with Paul McCartney, Owen Pallett, Connan Mockasin, and others. Check out the tracklist and album artwork below.

Rest is the first Gainsbourg album where she wrote the lyrics herself. “In the shadow of my father, writing in French was something I never dared to do,” she said in a statement. Following the death of her sister, photographer Kate Barry, she said she decided to write an album about loss, public life, childhood fears, and more.

Source: Charlotte Gainsbourg Announces First New Album in 7 Years | Pitchfork

The Making of a Counterculture Cook 

An excerpt from Alice Waters’s new book, ‘Coming to My Senses’

“When I got back from France, I moved into an old Victorian house on Dwight Way. I felt like the most sophisticated person. I just thought I knew everything. I wanted to live like the French. As luck would have it, a Frenchman, Pierre Furlan, lived downstairs from me in the basement apartment, and he would pop into our lives every so often.

Sometimes when we were experimenting with French recipes, Pierre Furlan would call upstairs, ask what we were having for dinner, come up, and cook. He knew how to cook and would make corrections and additions or give bits of advice if we were going off the rails. At the time, I was making a lot of buckwheat crêpes and watching plenty of Julia Child. She was speaking my language. She was very funny and grounded — she’d drop the chicken on the floor, pick it up, and keep right on going — and I wanted to master the art of French cooking, exactly that. I did buy her book, Mastering the Art of French Cooking, but it was more or less incomprehensible to me; it had no pictures, long and detailed recipes, and lots of writing about precision. It was daunting. But luckily there was the TV show — I loved her manner, and she was a Francophile just like I was. “[ . . . ]

Read More: The Making of a Counterculture Cook – Eater