With The Limiñanas, rock made in Perpignan has no borders

Since 2009, The Limiñanas has been widening the furrow, without turning a corner, of an intelligent rock where their musical and cinematographic references are the foundations of a music that is renewed on each album.

Shadow People’s last Limiñanas album released at the beginning of the year 2018, is one of those albums that we put back on the turntable again and again.

Continue reading “With The Limiñanas, rock made in Perpignan has no borders”

Critics of the “Mask” embarrassed and even disgusted by the violence of “The Emperor of Paris” (with Vincent Cassel)

After Harry Baur, Gérard Depardieu and Claude Brasseur, it is Vincent Cassel who seizes the legendary role of Vidocq in the film adaptation of JF Richet. The cast is flamboyant (Patrick Chesnais, Fabrice Luchini, James Thierré …) but the film is up to it? Check out the reviews of the “Mask”.

The film summarized by Jérôme Garcin

The film opens with a very violent mutiny of galley slaves, at the bottom of a boat. Vidocq escapes and arrives in Paris, where he is arrested for a murder he did not commit and signs a contract of indic with the head of the security: he gets his freedom by fighting the underworld, that he knows by heart. And so the former convict becomes, under the reign of Napoleon, the first cop in France .

Jean-François Richet has reconstructed in images of synthesis the Paris of the Empire, without forgetting to show the people who suffer …

Eric Neuhoff found the film “appalling”

EN: It’s cumbersome! It’s a costumed, wiggy, starched, lacquered, dusty movie – that’s all you should not do !

It is a gratuitous violence all the time .

All dialogues are written in chisel .

Continue reading “Critics of the “Mask” embarrassed and even disgusted by the violence of “The Emperor of Paris” (with Vincent Cassel)”

“A Violent Desire for Joy” from Clement Schneider with Quentin Dolmaire and Grace Seri – official trailer 

One year after the death of Alton Sterling, a chronicle of the Afro-American community of Baton Rouge, Louisiana, during the summer of 2017. 

An exciting reflection through the intimate portrait of three women struggling for their justice, dignity and their survival in a country that keeps them on the margins.