Curate your own Cannes film festival

A trawl through the history of the Palme d’Or yields streaming gems from Brief Encounter to Blow-Up, The Leopard to The Square

Bring out your tiniest violins: in a normal year I’d be writing this column from the balmy French Riviera, with a glass of rosé at my side, amid the annual Cannes film festival. That, of course, has all been called off. For the first time since the second world war – not counting the time things shut down halfway through amid the May ’68 movement – the festival has admitted no Cannes do.

A year without Cannes leaves the arthouse release schedule a bit disoriented: traditionally, UK distributors pick over the festival’s highlights for the next year and beyond. (At Curzon Home Cinema, for example, you can currently stream Portrait of a Lady on Fire and The Whistlers, both plucked from last year’s Cannes competition.) Through the miracle of streaming, however, you can curate your own festival of past Palmes d’Or to treasure. Continue reading “Curate your own Cannes film festival” →

Nouvelle Vague “Guns of Brixton”

M. Pas de Merde believes Nouvelle Vogues first album is still hip 16 years after it’s release.

The group’s first album, the self-titled Nouvelle Vague, was released in 2004. Explaining how the project came about, leader Oliver Libaux later said: “Marc Collin and I were both musicians and producers in the French music industry when, in 2003, Marc called me with this very strange idea of covering Love Will Tear Us Apart in a bossa nova version. I thought this idea was absolutely crazy but very exciting. So we decided to get into the studio and try it out as soon as possible. Then we did Just Can’t Get Enough and Guns Of Brixton. We put the album together in just eight months.”

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