French director controversy over ‘women aged 50’ quip

French director and writer Yann Moix has caused controversy after saying he “could not love a 50-year-old woman” and “only goes out with Asian women”.

Mr Moix, aged 50 himself, made the statements in an interview with magazine Marie-Claire, published on January 4.

He said: “I am telling you the truth. Aged 50 [myself], I am incapable of loving women aged 50. I think that’s too old. When I am 60 years old, I will be able to; 50 will then appear young to me.”

He continued: “It doesn’t disgust me, it just wouldn’t occur to me. [Women aged 50] are invisible to me. I prefer younger women’s bodies, that’s all.”

He also said that he only goes out with Asians, specifying “Koreans, Chinese, Japanese”, adding: “Many people would not admit that, as it is racial bias. Maybe that is sad for the women I go out with, but the Asian race is rich, large and infinite enough, that I do not feel embarrassed.”

His comments have caused controversy on social media.

Journalist and author Mona Chollet said: “Yann Moix is a sad man, confirmation in Marie-Claire.”

Source: French director controversy over ‘women aged 50’ quip

Cardinal’s cover-up trial puts French Catholic Church in glare of abuse scandal

The highest-profile Catholic cleric to be caught up in a paedophile scandal in France goes on trial on Monday charged with failing to report a priest who abused boy scouts in the 1980s and 90s.

Source: Cardinal’s cover-up trial puts French Catholic Church in glare of abuse scandal

France honours its most provocative author 

Michel Houellebecq, the enfant terrible of French literature, was awarded the Legion of Honour, France’s highest civilian distinction, in the New Year honours list on Tuesday.

A forthcoming novel by the celebrated but controversial author predicts the doom of western civilisation. Seratonin, due out on Friday, focuses on the festering rage in provincial France that has exploded into the “yellow vest” protests.

Like his previous books, it is set to become an instant bestseller and is already being hailed as the biggest literary event of 2019. It is also likely to enrage those who object to the views that have made Houellebecq, 62, an iconic figure for the nationalist, eurosceptic Right.

The title of the novel, to appear in English in the autumn, refers to the main ingredient of an anti-depressant that causes its anti-hero, Florent-Claude Labrouste, to suffer impotence and nausea. Like most of Houellebecq’s protagonists, he is a thinly disguised version of the author himself.

At 46, fed up with his Japanese girlfriend and his job, Labrouste returns to his native Normandy, where he meets suicidal farmers, prevented from making ends meet by EU dairy quotas. Out of despair and fury, they take to the streets and stop traffic in “yellow vest” style.

Houellebecq’s bleak view of France and Europe is much in evidence. “No one in the West will ever be happy again,” he writes. “This is how a civilisation dies, without danger or drama and with very little carnage.” [ . . . ]

Continue at THE TELEGRAPH: France honours its most provocative author 

Only in France: Ten of the year’s most French stories

Our selection of the year’s most French stories feature wine, cheese, nutella… and, of course, a spot of naturism.
Parisians enjoy candlelit raclette dinner… on the Metro
When four tuxedo-wearing Frenchmen sat down for a meal of cheese raclette on the Paris Metro of all places, naturally news spread fast.
The diners chose the unusual spot of line 5 of the Paris Metro at Place d’Italie to enjoy their meal washed down by a few glasses of fine wine.
And it won’t come as a surprise that amused commuters took a moment to stop laughing and capture it.

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With The Limiñanas, rock made in Perpignan has no borders

Since 2009, The Limiñanas has been widening the furrow, without turning a corner, of an intelligent rock where their musical and cinematographic references are the foundations of a music that is renewed on each album.

Shadow People’s last Limiñanas album released at the beginning of the year 2018, is one of those albums that we put back on the turntable again and again.

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Critics of the “Mask” embarrassed and even disgusted by the violence of “The Emperor of Paris” (with Vincent Cassel)

After Harry Baur, Gérard Depardieu and Claude Brasseur, it is Vincent Cassel who seizes the legendary role of Vidocq in the film adaptation of JF Richet. The cast is flamboyant (Patrick Chesnais, Fabrice Luchini, James Thierré …) but the film is up to it? Check out the reviews of the “Mask”.

The film summarized by Jérôme Garcin

The film opens with a very violent mutiny of galley slaves, at the bottom of a boat. Vidocq escapes and arrives in Paris, where he is arrested for a murder he did not commit and signs a contract of indic with the head of the security: he gets his freedom by fighting the underworld, that he knows by heart. And so the former convict becomes, under the reign of Napoleon, the first cop in France .

Jean-François Richet has reconstructed in images of synthesis the Paris of the Empire, without forgetting to show the people who suffer …

Eric Neuhoff found the film “appalling”

EN: It’s cumbersome! It’s a costumed, wiggy, starched, lacquered, dusty movie – that’s all you should not do !

It is a gratuitous violence all the time .

All dialogues are written in chisel .

Continue reading “Critics of the “Mask” embarrassed and even disgusted by the violence of “The Emperor of Paris” (with Vincent Cassel)” →