Grâce à de nombreux prêts, le musée d’Orsay propose une rétrospective exceptionnelle de Berthe Morisot, un des grands noms de l’impressionnisme
Berthe Morisot (1841-1895) is not a dilettante painter, who would have exercised her talent as a bourgeois woman educated in the arts, in the shadow of Manet, Renoir and Monet, but a true professional painter, a founding figure of the Impressionism which exercised an art full of daring and modernity: this is shown by an exceptional exhibition at the Musée d’Orsay , which had never devoted a retrospective to him.
This is an event because of the 75 or so works collected at the Musée d’Orsay, half (37) come from private collections, only a dozen from French museums, the others are lent by foreign museums. Indeed, French public collections have been slow to take Berthe Morisot seriously and have very few of his works, while collectors and American museums have quickly bought his paintings. The exhibition shows paintings that have never been seen in France for decades.
Berthe Morisot was born in Bourges in 1841 into a bourgeois family (her father, then, is prefect). Her future wife and mother at home are all drawn. But his mother, open to the arts, teaches music and painting to her three daughters. It is not a career, but the two younger girls, Berthe and Edma, show a talent that leads them from a particular course to a certain Geoffroy Alphonse Chocarne to the Louvre where they copy the classics, from 1858. There they meet Henri Fantin-Latour, before meeting Corot.Continue reading “Berthe Morisot au musée d’Orsay : une rétrospective rare d’une grande artiste”