‘Rodin’ Shines As A Story Of Both Artist And Art : NPR

While many biographies of artists focus on their tortured personal lives, Rodin maintains a close focus on sculpture itself and what makes it last.

Deep into Rodin, Jacques Doillon’s quietly satisfying portrait of the famed French sculptor, a group of stuffy sponsors circles Auguste Rodin’s almost completed statue of France’s beloved novelist Honore de Balzac. Rodin (Vincent Lindon) has given the writer an enormous gut (he used a pregnant young woman and a draft horse rider as models for the belly), which the artist made capacious enough to house, in his imagination, the teeming characters who peopled the 19th-century writer’s stories. And, perhaps, his appetites.[ . . . ]

Continue at NPR: ‘Rodin’ Shines As A Story Of Both Artist And Art : NPR

Trailer “At War”

Directed by : Stéphane Brizé
Produced by : Nord-Ouest Films
Genre: Fiction – Runtime: 1 h 52 min
French release: 16/05/2018
Production year: 2017

Despite heavy financial sacrifices on the part of their employees and record profits that year, the management of Perrin Industries decides to shut down a factory. The 1100 employees, led by their spokesman Laurent Amédéo, decide to fight this brutal decision, ready to do everything to save their jobs.

Vincent Lindon in Xavier Giannoli’s “The Apparition” – illuminated film about faith

[ English translation] The subject of faith refers to “Men and Gods” (2010) Xavier Beauvois, whose Giannoli is not very far in his approach to an ambitious French auteur cinema. If their approach to the faith is different, the first referring to the assassination of the monks of Tibhirin (1996), Giannoli deals with an apparition of the Virgin Mary, as a fact, as it is documented. The starting point is an investigation launched by the Vatican to determine the veracity of a case of “appearance”. The following is realistic, precise. As at Beauvois.

Veracity and faith rarely go hand in hand. The second is not rational, lived as an inner conviction, the first is an accumulation of evidence. Giannoli’s scenario puts both in the balance. The opportunity to project a form of mysticism in the light of a skeptic (Vincent Lindon), facing the clairvoyant (amazing Galatea Bellugi), a priest (excellent Patrick d’Assumçao), a fanatic (disturbing Anatole Daubman) and to a crowd of pilgrims no less exalted.

Earth time and eternity

Beautiful equation, that all the sobriety of Vincent Lindon serves perfectly. Just like the staging of Xavier Giannoli. The subject, the apparition of the virgin to a witness, is rare in cinema (despite some seven biopics of Bernadette Soubirous); Therese of Lisieux, it is something else (The sublime “Thérèse” of Alain Cavalier). We will also mention “Fellini Roma”, with its long sequence of the appearance of the virgin with two children, rather sulphurous … with which “The Apparition” has connivances in the vision of the fanatics around the visionary child.

“The Apparition” finds this acuity of observation and analysis of Xavier Giannoli of “At the origin”. The filmmaker takes his time to account for earthly time in relation to eternity. He finds this crossroads to express doubt, in a scenario written in chapters, with his digressions (the episode of the icon). A war reporter has just lost his best friend in the field and is facing the afterlife. Beautiful subject, perhaps the main one, a film with drawers. A fair vision, ascetic, honest, and ambitious, in a fiction based on an investigation, so the suspense tense, dramatic, until an effective coup de theater. Pure in more than one way, “The Apparition” raises more questions than it answers: the mark of a work.

Source: Vincent Lindon in Xavier Giannoli’s “The Apparition” enlightened film about faith