Tag: Victor Hugo

The Aperitif Tales: When Words Take to the Air

Every evening, the Coulée Verte transforms into an open-air stage with the “Contes d’Apéro”. An hour of living literature without any artifice. 

Here, there’s no need for a red curtain or spotlights. Just a stage and a few chairs for the audience. Every evening at 7 PM, the kiosk of the Théâtre National de Nice on the Coulée Verte becomes a literary stage. One evening, one century: that’s the theme set for this summer. From the 16th to the 21st century, the texts span all genres: theatre, poetry, novels, philosophy…  and to accompany it all: a non-alcoholic aperitif offered to everyone.

The opening phrase: “It is better to do than to say” and the evening begins. No set, no costumes, just the voice. Victor Hugo, Alfred de Musset, Flaubert… Lucrèce Borgia, On ne badine pas avec l’amour, Correspondence. Each reading lasts about ten minutes and flows seamlessly.

“They are very good actors, they manage to bring the texts to life. It’s a real living reading”, says Didier, visiting from Marseille. A theater enthusiast, he is discovering the Contes d’Apéro for the first time. However, he observes one detail: “It’s a shame there are only gray hairs. Not a young person in the audience.” Sitting next to him, Nicole his aunt, adds “I am a regular. This is my second time this year. It’s friendly and original. I love coming here.”

Ending with poetry and song

After a poetic interlude with Rimbaud, Baudelaire and Victor Hugo, the evening ends with a song. Everyone hums Le Temps des cerises by Yves Montand, in a wonderful collective energy. And to close the evening, a little literary quiz on themes of clever quips. Who will find the author of these fine words?

The Contes d’Apéro continue until August 3rd every evening of the week at 7 PM. Each evening, a new century, a new atmosphere but always under the open sky and with heart.

Source: The Aperitif Tales: When Words Take to the Air – Nice Premium EN

Van Gogh’s Literary Influences

“Books and reality and art are the same kind of thing for me.”
– Vincent Van Gogh

In 1888, Vincent Van Gogh sold The Red Vineyard, a vibrant field of color abuzz with laborers, to an intimate supporter of the hungry artist for today’s equivalent of $2000. These days, a single painting by Van Gogh More

In 1888, Vincent Van Gogh sold The Red Vineyard, a vibrant field of color abuzz with laborers, to an intimate supporter of the hungry artist for today’s equivalent of $2000. These days, a single painting by Van Gogh can go for as much $66m at Sotheby’s, and Van Gogh™ is a billion dollar industry. And the topper is that The Red Vineyard, if sold today, probably would be the single most expensive painting ever bought, not because it was the most popular artist’s best, but because it’s the only one he ever sold in his lifetime. (Wow.)

Over the decades there have been a number of film accounts of Van Gogh’s work and life, from Stanley Kubrick’s Kirk Douglas-driven Technicolor slave revolt from Black-and-White, to the more recent BBC biopic, Painted with Words, starring Benedict Cumberbatch with a script derived solely from Van Gogh’s written words. Continue reading “Van Gogh’s Literary Influences” →

Hunchback of Notre Dame, The (1939) — (Movie Clip) King of Fools

The mob (led by Edmond O’Brien as Gringoire) is totally into naming Quasimodo (Charles Laughton) the King of Fools until dour Frollo (Cedric Hardwicke) intervenes in The Hunchback of Notre Dame, 1939.

Watch at TCM: Hunchback of Notre Dame, The (1939) — (Movie Clip) King of Fools

Victor Hugo à gros traits

From September 13, 2018 to January 6, 2019, the Maison Victor Hugo presents an exhibition an exhibition around the public image of Victor Hugo through the style of caricature. The poet’s fame and political commitment made him a favorite subject of the caricaturists of his time who often sketched him rather roughly and sometimes even ferociously. Among these renowned designers, it will be possible to find prestigious signatures such as Daumier, Doré, Cham, Gill, Lepetit, Nadar  [ … ]

Continue at : Victor Hugo à gros traits

“Sanctuary!”

The “Sanctuary!” scene from the classic 1939 version of Victor Hugo’s “Hunchback of Notre Dame,” starring Charles Laughton as Quasimodo and Maureen O’Hara as Esmeralda.

“Hunchback” was the only movie screened at the very first Cannes Film Festival, as the remainder of the festival was cancelled when Adolf Hitler invaded Poland on September 1st, 1939. The bell-ringing scene was Laughton’s response to impending war. The actor later said he rang the bells actually wanting “to arouse the (real) world, to stop that terrible butchery!”

“It is absurd to speak of Laughton’s Quasimodo as a great performance, as if that were some quantifiable assessment. It is acting at its greatest; it is Laughton at his greatest; it is a cornerstone of this century’s dramatic achievement; it is a yardstick for all acting.”
– SIMON CALLOW, NY Times 1988