Thirty years after his death, Serge Gainsbourg remains an icon in France. There are now plans to mark that anniversary with a dedicated museum at the singer-songwriter’s apartment in the Saint-Germain neighbourhood. His former Parisian home is already a place of pilgrimage for the many fans of the artist.
We also take a look at an Oscar-shortlisted French animated short which brings prehistory to life thanks to oil painting and grains of sand, and we find out more about the Chateau of Versailles’ new role as an exceptionally opulent recording studio.
And Paris Fashion Week pivots as designers embrace flexibility and creativity, showing their latest collections in pandemic-friendly ways.
Musée d’Orsay, home to some of world’s most famous nudes, apologises for barring visitor
One of Paris’s biggest museums, whose galleries feature some of the world’s most famous nudes, has been accused of discrimination and sexism after refusing entry to a woman in a low-cut dress.
In a case of life not imitating art, a zealous official told a literature student whose name was given only as Jeanne that “rules are rules” and ordered her to cover her cleavage if she wanted to be allowed into the Musée d’Orsay, a popular tourist attraction and bastion of the beaux arts.
Over the past two decades, JR has expanded the meaning of public art through his ambitious projects that give visibility and agency to a broad spectrum of people around the world. Showcasing murals, photographs, videos, films, dioramas, and archival materials, JR: Chronicles is the first major exhibition in North America of works by the French-born artist. Working at the intersections of photography, social engagement, and street art, JR collaborates with communities by taking individual portraits, reproducing them at a monumental scale, and wheat pasting them—sometimes illegally—in nearby public spaces.
This soaring multimedia installation traces JR’s career from his early documentation of graffiti artists as a teenager in Paris to his large-scale architectural interventions in cities worldwide to his more recent digitally collaged murals that create collective portraits of diverse publics. The centerpiece of the exhibition is The Chronicles of New York City, a new epic mural of more than one thousand New Yorkers that is accompanied by audio recordings of each person’s story. All of the projects on view honor the voices of everyday people and demonstrate JR’s ongoing commitment to community, collaboration, and civic discourse.
JR: Chronicles is part of the Brooklyn Falls for France cultural season and is curated by Sharon Matt Atkins, Director of Exhibitions and Strategic Initiatives, and Drew Sawyer, Phillip Leonian and Edith Rosenbaum Leonian Curator, Photography, Brooklyn Museum.
The fair underscores its links with the museum world in its third edition. Plus highlights from Paris Photo and Also Known as Africa
Fine Arts Paris began in 2017 as a boutique affair of 34 dealers, and though it has now grown to 46 exhibitors – most of them French – it still prides itself on carefully crafted displays and museum-quality works. This year (13–17 November), the fair is looking to underscore its links with the museum world with an events programme that offers behind-the-scenes tours of various institutions. Visitors will also be treated to a first look at the Château de Fontainebleau’s most recent acquisition: a late 16th-century mythological scene by a follower of Francesco Primaticcio. La Piscine – the museum of art and industry in Roubaix – provides a pop-up display of works from its collection, by artists including Marc Chagall and Camille Claudel.
At Galerie Charvet there is a selling exhibition on the theme of museum interiors; highlights include a painting of a man polishing the armour of a horse guard at the Royal Armoury in Turin, by the Piedmontese artist Giovanni Giani in 1892. [ . . . ]
Continue at APOLLO MAGAZINE: Fine Arts Paris and beyond | Apollo Magazine
From September 13, 2018 to January 6, 2019, the Maison Victor Hugo presents an exhibition an exhibition around the public image of Victor Hugo through the style of caricature. The poet’s fame and political commitment made him a favorite subject of the caricaturists of his time who often sketched him rather roughly and sometimes even ferociously. Among these renowned designers, it will be possible to find prestigious signatures such as Daumier, Doré, Cham, Gill, Lepetit, Nadar [ … ]
One of the proposals, which is sure to be music to Anglophone ears, is the introduction of training sessions to teach basic English to those working in the tourism sector, including bus and taxi drivers as well as staff at museums, hotels and restaurants.