Several Impressionist paintings are coming home for the occasion.
By the standards of even the most feverish of Monet fans, the standing display of the Impressionist master at Boston’s Museum of Fine Arts is pretty damn good. On any given visit, you’re likely to see 10 or 12 at a time — luminous grainstacks, shimmering waterlilies, a mountain glade, and more often than not, that gleefully bizarre portrait of Camille, the painter’s wife, swathed in a demonic kimono.
So how would you feel about seeing, say, 35 Monet paintings all at once? That’s the full complement of the museums’ holdings. Out they’ll come in April, reunited for the first time in a quarter century [ . . . ]