Been to Saint-Germain-des-Pres? Not only does it not exist, but it hardly even briefly existed. Just enough time to forge a media and historiographic myth called for sustainable profitability. This is the thesis supported by the historian Eric Dussault in The invention of Saint-Germain-des-Prés (247 pages, 22 euros, Vendémiaire), probable synthesis of a large-scale university work if we judge by the importance of the sources. He explains the phenomenon by the indifference of cultural historians and by the subordination of history to memory. Because if until 1960 the narration of the epic was well done by journalists, afterwards it concentrated exclusively in the mouth and under the nostalgic pen of actors and witnesses of the time who were authoritative by dint of being taken over. in loop for sixty years without the slightest critical perspective. They are Léo Larguier for his picturesque Saint-Germain-des-Prés, mon village , the Fargue of the unequaled Pedestrian of Paris , Simone de Beauvoir memorialist ( La Force des choses) and Boris Vian, indispensable master of the premises and author of the Manuel de Saint-Germain-des-Prés guide (written in 1950 but published in 1974). Continue reading “There is no more after… in Saint-Germain-des-Prés… (and no more before either!)”
By Tylisa C. Johnson
I was standing in front of my apartment bookshelf, eyes darting between the shelves, trying to decide which two novels to pack in my carry-on. My eyes landed on James Baldwin’s Nobody Knows My Name. I had to smile.
I was heading to Paris on the eve of Valentine’s Day, in the early days of Black History Month. Alongside a handful of outfits, a conversational repertoire of French, and fading European history lessons, I’d packed a deep curiosity about my African-American ancestry in Paris.
It was Paris where, for decades, countless African-American intellectuals and creatives crossed the Atlantic, hopeful and drawn by the possibility of freedom, an escape from American “Blackness.” For many, it is still sought for its history and culture.
Continue reading “The history of Paris as a haven for African-Americans”
PARIS (AP) – The great African-American writers James Baldwin and Richard Wright began their feud over Wright’s novel “Native Son,” at Cafe Les Deux Magots. Jazz trumpeter Miles Davis held hands with his white girlfriend, French actress Juliette Greco, while strolling along the Seine after hanging out with Picasso. Entertainer Josephine Baker became a megastar at the Theatre des Champs-Elysees. Some travelers to Paris seek selfies with the Eiffel Tower, go to see the Mona Lisa at the Louvre or stroll to the Arc de Triomphe. But you can create a different type of itinerary exploring African-American connections to the City of Light [ . . . ]