Understanding Picasso’s art, Gilot’s memoir shows, is inseparable from understanding both his genius and monstrousness.
Early on in their relationship, the painter and writer Françoise Gilot almost left Pablo Picasso. It was 1946, and the pair had gone from Paris to the South of France for the summer. It sounds romantic and likely would have been, if Picasso hadn’t insisted that they stay in the house he had given to the photographer Dora Maar, his partner before Gilot. Maar wasn’t around, but soon after they arrived, Picasso began receiving devoted daily letters from yet another former lover, Marie-Thérèse Walter, which he would read aloud every morning. As if that weren’t enough, the place was overrun with scorpions. Suddenly, Gilot found herself stuck in a “hostile environment,” as she writes in her memoir, Life With Picasso, which was originally published in 1964 and recently rereleased by New York Review Books Continue reading “The Entwined Lives of Françoise Gilot and Pablo Picasso”
Beautiful harvest of major exhibitions this autumn in Paris, with Miró at the Grand Palais, cubism at the Pompidou Center, Nadar at the BnF, Basquiat and Egon Schiele at the Vuitton Foundation, and Picasso again and again: its blue and pink periods at the Museum d’Orsay and a reflection on the concept of a masterpiece at the Picasso Museum.
Dorothea Lange at the Jeu de Paume
Beyond iconic images like the “Migrant Mother”, the Jeu de Paume showcases more than a hundred vintage prints by Dorothea Lange, from 1933 to 1957. An exhibition that aims to emphasize the emotional strength of the images of the one that was the first female photographer to have a solo exhibition at the MoMA in New York in 1966. Her photos of Japanese Americans interned during the Second World War are shown in France for the first time. From October 16, 2018 to January 27, 2018. Here, Dorothea Lange, “Toward Los Angeles”, 1937
© The Dorothea Lange Collection, the Oakland Museum of California
Continue Reading: From Miró to Basquiat and always Picasso … exhibitions not to be missed in Paris this autumn
As Tate Modern prepares a new exhibition of his work, including 12 of his famous nudes, Louise Roddon explores the artist’s haunts around Montmartre and Montparnasse
Poor Amedeo Modigliani, what a tough life he led. I’m thinking this as I climb the steps to his last studio in Montparnasse. It’s a classic artist’s garret with peeling paint and poor lighting, and climbing the countless floors on a narrow stone tread, leaves me winded. It wouldn’t have been easy for a man with advanced tuberculosis. With Tate Modern about to stage its Modigliani exhibition, I’ve come to number 8 Rue de la Grande-Chaumière, his final home before he died tragically young in 1920. At 35, he wasn’t just a victim of TB, but was suffering the toll of a lifetime’s enthusiasm for alcohol and drugs [ . . . ]
More: Naked attraction: art and tragic tales in Modigliani’s Paris