Vivre Sa Vie (“My Life to Live”) is a 1962 French New Wave drama film directed by Jean-Luc Godard.
Nana (Anna Karina), a beautiful Parisian in her early twenties, leaves her husband and infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitute. Soon she has a pimp, Raoul, who after an unspecified period agrees to sell Nana to another pimp. During the exchange the pimps argue and Nana is killed in a gun battle. Nana’s short life on film is told in 12 brief episodes each preceded by a written intertitle. – Wikipedia
Karina was best known for the string of films she made with Jean-Luc Godard, including A Woman Is a Woman and Pierrot le Fou
Danish-French actor Anna Karina, star of Bande à Part and Pierrot le Fou and collaborator with New Wave director Jean-Luc Godard, has died of cancer at the age of 79, her agent said.
Karina, who epitomised 1960s chic with her elfin features and big kohl-rimmed blue eyes, starred in seven films made by her ex-husband Godard, including Alphaville.
“Anna died yesterday in a Paris hospital of the effects of cancer,” her agent Laurent Balandras told AFP, adding that she passed away in the company of her fourth husband, American director Dennis Berry.
“Today, French cinema has been orphaned. It has lost one of its legends,” culture minister Franck Riester tweeted.
Karina was still a teenager when she hitchhiked to Paris from her native Denmark to try to become an actress. She developed a successful modelling career before being spotted by Godard while walking along the Champs-Elysees. Godard offered her a nude scene in Breathless, his first film, but she refused.
They were a couple when, at barely 21, she won best actress at the Berlin film festival for his 1961 film A Woman is a Woman. They divorced in 1965. “We loved each other a lot,” Karina told AFP in an interview in Paris in March 2018. “But it was complicated to live with him,” she added.
“He was someone who could say to you, ‘I am going to get some cigarettes’ and come back three weeks later.”
She later went behind the camera to make Vivre Ensemble, a romance between a history teacher and a free spirited young woman that ends in drugs and domestic violence.
Karina also had some success as a singer, recording Sous Le Soleil Exactement with Serge Gainsbourg.
The Cannes Film Festival has unveiled its official poster for this year’s 71st edition, featuring an image from Jean-Luc Godard’s 1965 film “Pierrot le Fou.”
The poster, designed by 27-year-old graphic designer Flore Maquin, is inspired by the work of French stills photographer Georges Pierre and features “Pierrot le Fou” stars Jean-Paul Belmondo and Anna Karina.
The new poster shows Belmondo and Karina leaning out of their cars to share a kiss. The two play lovers on the run who settle for a time on the French Riviera, which is also where the Cannes Film Festival takes place.
The problem with many music documentaries is that they suffer from over-familiarity. In a bid to appeal to as wide an audience as possible, they end up spreading themselves too thinly on an area already well covered. Viewers tune in and, largely speaking, have their knowledge reaffirmed while they hang around on the off-chance that there may be some newly uncovered archive footage to make their investment worthwhile. There are notable exceptions to this, of course, and generally they crop close on their subject, or as in the case of Je t’aime: The Story of French Song, focus on an area that has been long neglected – indeed by many outside France it has simply been dismissed. […]