Jeanne Cherhal, a great album in September!

En pleine finition de son nouvel album, qui sortira en septembre, Jeanne Cherhal a dévoilé quelques titres à notre chroniqueuse, dans l’intimité de son propre studio.

TRANSLATION GOOGLE

It makes the coffee warm up. Jeanne Cherhal receives in her studio as in her living room – that said, I have never seen her living room. The place is cozy, at the end of a dead end, in the 20th arrondissement. Away from traffic and close to Père-Lachaise. Beside other studios, music or audiovisual production. A small room that she rents all year, in which she has installed two pianos (including a Pleyel quarterback), a work table (with computer), a big speaker (which buzze a little), shelves ( design 50).

Cherhal sings as it turns out, without effect and without filter

She settles. Slightly arched. The first song of the future album is also the first one: The Year 40 . Autobiographical text for a woman born in 1978. “She enters with a smile in the year 40 …” For modesty or concern for universality, she forgot the “I” for the benefit of the third person – I do not imagine affected by the Delon syndrome. I listen to her singing, her voice so fine and so right, with light vibrato, has always had the gift of touching me instantly. Cherhal sings as we reveal ourselves, without effect and without filter. The intrinsic power of its form of expression, the song, returns to me in the face; a piece of life and truth delivered in three minutes … I think back to my own 40 years, and I do not know if I smiled. I watch his long fingers slide at the speed of light on the keyboard (what dexterity), his black sneakers do or not pressure on the Pleyel pedals. I have never been so close. Do not tell him, I’m pretty intimidated. I slip a “super” barely audible at the end of the song. Jeanne smiled. I wonder if she, too, she does not have a little chocolate.

Does his song appeal to all the women of his generation? “What is certain is that I have always felt feminist. For two years, everything has moved in society. It’s beautiful what happens. I am very happy to experience this kind of revolution. “  When she speaks, she seems both soft and resolved. Not so fragile, no doubt, that the delicacy of his body could let him think. This woman knows what she wants. In fact, I saw on Instagram that she went to record in Los Angeles … Was it necessary to raise the carbon footprint to this point? “I wanted to work with two musicians who live there. I also wanted a gospel choir and there, there is everywhere. ” Incidentally, I learn that the singer has signed alone arrangements – I will discover later, listening to the pre-CD, they are sumptuous …

“Tonight, I’ll listen to it one last time”

But for now, it’s piano-voice. Again concentrated on her keyboard, Jeanne Cherhal is preparing to play other songs. It makes me promise not to say too much about the topics it addresses … Okay, okay. I will just slip that the intelligence of his writing, definitely able to address the most unlikely subjects, has not finished me. And that the album she is about to finish will be among her most successful. On a sheet hanging on the wall, I recognize the titles of the pieces. In total, the disc will have ten. Release planned on September 20th. “This morning, I asked for some corrections on the mix, but really minimal. And tonight, I’ll listen to it one last time. Logically, I should give the green light for the whole party to mastering. “ This will be the last step before manufacturing. After, no more retouching possible. In other words, she still has work, especially pressure. We’ll have to leave it. A little last before leaving? “I’m going to make you listen to the closing title, A farewell. But I warn you: it may move you. It’s about the burial of Jacques. ”  Jacques Higelin, she adored, and me too. Not even scared, I signal to him to send the music. And I go out upset.

Continue reading “Jeanne Cherhal, a great album in September!” →

Marais and Beaubourg area guide

Galleries and good times in the heart of Gay Paree

For the last two decades the Marais (sandwiched between St-Paul and République) has been one of the hippest parts of the city, packed with modish hotels, vintage boutiques, restaurants and bars – in no small part due to its popularity with the gay crowd (this is the only part of Paris where the blokes get winked at more than the ladies). But it’s also prime territory for art lovers, with a vast concentration of art galleries (both small and important) and museums, more often than not set in aristocratic 18th-century mansions spared by Haussmann. Two of the most sumptuous hôtels particuliers, Hôtel Guénégaud and Hôtel Carnavalet, contain (respectively) the wonderful Musée de la Chasse et de la Nature (hunting museum) and fascinating Musée Carnavalet, which retraces Paris’s history. The Marais has also long been the focus of the Jewish community: amble along rue des Rosiers, rue des Ecouffes and rue Pavée (where there’s a synagogue designed by Guimard, the brain behind Paris’s iconic Métro stations) and the air fills with the scent of falafels and sizzling shawarmas, sold in their hundreds from stalwarts Chez Hanna and L’As du Fallafel.

The Marais’s western neighbour is Beaubourg, whose focal point is the Centre Pompidou modern art museum, a benchmark of inside-out high-tech design signed Richard Rogers and Renzo Piano. This is also where you’ll find the Atelier Brancusi, the sculptor’s former workshop left to the state, and moved here from the 15th. Wander north of here for two of Paris’s lesser-known gems: The first, the Gaïté Lyrique (set in Offenbach’s former theatre) is a temple to digital arts, with streams of digital installations and live electro concerts; the second is the Musée des Arts et Métiers – a fabulous science museum with early flying machines displayed in a 12th-century chapel.

Source: Marais and Beaubourg area guide – Time Out Paris

Camille Hardouin, the recognized miss

Recently performed by The Voice, this artist with exacerbated sensitivity has seen her career take off thanks to the Grand Zebrock, contest giving a chance to young musical talents in Seine-Saint-Denis. Portrait.

To present herself this year on the show The Voice, she chose “Do not leave me”, (…)

Source: Camille Hardouin, the recognized miss – Seine-Saint-Denis – The magazine

Gabriel Yared’s soundtrack to “Camille Claudel” remastered

Original Motion Picture Soundtrack of Camille Claudel composed by Gabriel Yared

Newly remastered and expanded edition.
12-page CD booklet with French and English liner notes by Gabriel Yared.
Limited Edition of 350 units.

In collaboration with Yad Music, Music Box Records presents the newly remastered and expanded edition of Gabriel Yared’s score to the 1988 drama film Camille Claudel, starring Isabelle Adjani and Gérard Depardieu, and directed by French cinematographer turned director Bruno Nuytten.

Adapted from the biography written by Paul Claudel’s granddaughter Reine-Marie Paris, the film was a project initiated by Isabelle Adjani. The film tells the story of the troubled life of French sculptor Camille Claudel and her long relationship with the sculptor Auguste Rodin. Camille Claudel received wide public and critical acclaim, won five César awards including the one for Best Feature Film and contributed to the rediscovery of the sculptress’ works.

To illustrate the artistic and amorous passion of the characters onscreen, Gabriel Yared composed beautiful strings pieces inspired by German postromantic music. This album allows listeners to fully appreciate the many shades of this score by adding several previously unreleased tracks to the original edition. The 12-page booklet by Gabriel Yared gives insight into the scoring process. This is a limited edition of 350 units.

Netflix’s ‘Huge in France’ Is Almost Great

Netflix’s new fish-out-of-water comedy about a European megastar who relocates to Los Angeles is a strange kind of failure.

There are moments during Huge in France when you can perceive what the show might have been—a semi-satirical, semi-screwball comedy about the acute insanity of modern-day fame. The new eight-part Netflix series exists in a meta universe similar to HBO’s Entourage, in that it’s loosely based on the real experiences of an actor and comedian, Gad Elmaleh. The plight of the show’s Gad (he refers to himself in the third person, alors, c’est vraiment Gad) is that he’s a huge star. In France. In real life, this is also true for Elmaleh, who by most metrics is a bona fide celebrity: He has 1.8 million Instagram followers, he once sold out Paris’s Olympia theater for a record-breaking seven consecutive weeks, and his former partner is the granddaughter of Prince Rainier III of Monaco and Grace Kelly. In France, Elmaleh is Jerry Seinfeld. In America, though? If a celebrity lands in a city where no one has ever heard of him, does he make a sound? Continue reading “Netflix’s ‘Huge in France’ Is Almost Great” →