The actress seemed to be protesting against the red carpet dress code at the film festival.
Now it seems Kristen Stewart, a member of this year’s jury at the film festival, has flouted the ban on flat shoes – by instead going barefoot on the red carpet.
The Twilight actress wore black Louboutin heels as she arrived at the BlacKkKlansman premiere.
But before entering the screening of the Spike Lee film, she slipped off her shoes to walk up the stairs.
She was apparently not sanctioned for taking off her heels.
‘You cannot ask me to wear heels’
Last year, Stewart – who’s been known to wear trainers with dresses on the red carpet – spoke about the event’s fashion rules.
“There’s definitely a distinct dress code, right?” she told the Hollywood Reporter. “People get very upset if you don’t wear heels or whatever.
“I feel like you can’t ask people that any more – it’s a given. If you’re not asking guys to wear heels and a dress, you cannot ask me either.”
Source: Kristen Stewart ditches high heels to go barefoot at Cannes – BBC News
The subzero temperatures didn’t dampen Paris Fashion Week, which began with dark 80s atmospherics at Saint Laurent and a bright flower-power ode to female empowerment from Dior. [ . . . ]
More: Dior’s ‘60s flower power celebrates women’s rights in Paris – The Washington Post
Image-conscious Paris has launched a public awareness campaign to counter an often disregarded form of discrimination: sizeism [ . . . ] Source: With obesity on rise, Paris reflects on mirrored ‘fatphobia’
The Spring 2018 season will draw to a close this week, finally touching down in Paris for some of the biggest, most anticipated shows of the season—and for the European debuts of several American brands who recently decamped for the City of Lights, like Proenza Schouler, Thom Brown, and Altuzarra. But for all American designers may be taking over Paris Fashion Week, the city still has its very own contingent of It girls and models whose looks are just as enviable as their front-row seats at all the shows. Whether the offspring of models and actors like Lou Doillon, daughter of Jane Birkin, and Thaïs Klapisch, daughter of Cédric Klapisch, up-and-coming models like Léa Julian and Estelle Chen, or the enigmatic, globe-trotting teens of the Gucci Gang, here’s the complete rundown of 11 Instagram accounts you should be following before the Paris shows get underway. [ . . . ]
Read more: 11 French It Girls You Should Follow Before Paris Fashion Week Photos | W Magazine
By Phoebe Maltz Bovy
Charlotte Gainsbourg — daughter of French-Jewish singer Serge Gainsbourg and English actress (and handbag namesake) Jane Birkin — continues the family tradition of combining artistic excellence with Parisian glamorousness. Gainsbourg plays an important role in Joseph Cedar’s new film, “Norman”, and is also (oh to be so chic and part-French!) promoting a makeup line with Nars. And like any self-respecting representative of Frenchwoman style, Gainsbourg shares some beauty rituals but pushes back against the whole French beauty thing.
I want to be immune to the breathless (heh) items about how to look like a Parisienne, but I click, I always click. Even if the answer — as per Gainsbourg, and as per all ten trillion articles of this type — is to wear less foundation if you wish to look more French. Well, not exactly — it’s that French ladies supposedly wear less foundation than their American equivalents. Which may well be, but I have it on good authority (the mirror) that an American woman can eschew foundation and not look even the least bit French.
Source: Charlotte Gainsbourg, Reluctant Icon Of French Chic – The Forward
This weekend, Richard Gere’s political thriller Norman: The Moderate Rise and Tragic Fall of a New York Fixer premieres wide in theaters. On Wednesday, the cast gathered for an intimate New York screening hosted by the Cinema Society — in addition to the film’s star Gere, actors Lior Ashkenazi, Charlotte Gainsbourg, Hank Azaria, and Steve Buscemi all put in appearances. Actress and consummate French cool girl Gainsbourg plays Alex Green, who NPR recently described as “a New York-based corruption investigator for the Israeli government” who encounters the titular businessman played by Gere.
At the screening, surrounded by her suited male co-stars, Gainsbourg cut a particularly striking figure in an edgy Saint Laurent ensemble, plus t-shirt, minus glitter boots. It’s a look that showed during the Spring 2017 season, the collection that marked Anthony Vaccarello’s Saint Laurent debut. (Gainsbourg herself also sat front-row at the debut.) Originally modeled by Binx Walton, the leather minidress was an especially bold look — its most notable accessory being the rhinestone heart pasty on Walton’s breast, a gesture at modesty for the cutaway design. But for Gainsbourg’s red carpet appearance, she opted for a slightly more demure take on the look, doing whatever you might call the opposite of freeing the nipple [ . . . ]
Reade Full Story at: Charlotte Gainsbourg Does the Opposite of Freeing the Nipple | W Magazine