Chanson du Jour: “Parlez-moi de lui”

Originally written in 1960 by Jack Diéval with French lyrics by Michel Rivgauche the song that would become “Parlez-moi de lui” was first introduced as ‘J’ai le mal de toi’.

In June 1965 the English rendering was retitled to “The Way of Love” and was issued in the UK as a single by Kathy Kirby.

“The Way of Love” failed to reach the UK Top 50 but became a regional hit in the United States reaching #88 nationally.

In 1966 a new French version, also by lyricist Michel Rivgauche, was recorded by Dalida as “Parlez-moi de lui” (“Tell me about him”). This rendition slightly alters the original melody. This adaptation was covered by Françoise Hardy on her 1968 album Françoise Hardy .

The most well-known version of “The Way of Love” was recorded by Cher. Her version spent three weeks within the top ten of the Billboard Hot 100, reaching a peak of number 7 and ultimately selling almost one million copies. Billboard ranked it as the No. 62 song for 1972.

The myth and reality of the Parisian woman

The actor Arletty, seen here in the film Hôtel du Nord, was one of many working-class French stars of the era (Credit: Alamy)

There is now a whole literary genre devoted to her mysterious allure. So what is the true essence of the Parisienne – asks Paris born-and-bred Agnès Poirier – and how did she evolve?

By Agnes Poirier

French women – Parisiennes in particular – have no idea of the fascination they inspire in foreigners – until the day they discover in a bookshop abroad the vast amount of literature dedicated to scrutinising their every move and mood. Sometimes written by Parisian women living abroad, or by foreigners living in Paris, this literary genre and lucrative niche market aims at educating its readers in Parisianisme and its many secrets.

Among them, in just the last few years: How to be a Parisian, Wherever You Are by Caroline de Maigret, Sophie Mas, Audrey Diwan and Anne Berest; Dress Like a Parisian by Aloïs Guinut; Parisian Chic by Inès de la Fressange and Sophie Gachet; and the recently published The New Parisienne by Lindsey Tramuta.

Tramuta’s interesting hybrid work – part coffee-table book with beautiful pictures and illustrations, part political pamphlet, and part guide book with addresses and tips – makes for an alluring proposal. The author wants to “lift the veil on the mythologised Parisian woman – white, lithe, ever fashionable, and recast the women of Paris as they truly are”. To do this she profiles forty Parisiennes who “don’t fit the mould”, from Paris mayor Anne Hidalgo to cookie maker Moko Hirayama, translator Poonam Chawla and many others – including political figures, entrepreneurs, influencers, designers, artists, writers and athletes.

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