Béatrice Dalle is the ultimate femme fatale

If you had to choose one adjective which least suited Béatrice Dalle, you might do worse than “demure”. The actress, who celebrated her 50th birthday recently, may have become an object of desire to rival Bardot or Monroe, but her behaviour has, on occasions, been more reminiscent of a female Oliver Reed (a remarkable achievement, given that Dalle is not a drinker). The woman who has been described as “a walking grenade,” a “one-woman Vietnam”, “the patron saint of the abyss” and “Joan of Arc: the suicide bomber version” has agreed to meet me in the small village of Grignan, just outside Montélimar, where she is playing the lead in Lucrèce Borgia. Given that, in this role, she only kills seven guys nightly, straddling the corpses with an urgency more suggestive of lust than remorse, you might say that she is mellowing.

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“Sanctuary!”

The “Sanctuary!” scene from the classic 1939 version of Victor Hugo’s “Hunchback of Notre Dame,” starring Charles Laughton as Quasimodo and Maureen O’Hara as Esmeralda.

“Hunchback” was the only movie screened at the very first Cannes Film Festival, as the remainder of the festival was cancelled when Adolf Hitler invaded Poland on September 1st, 1939. The bell-ringing scene was Laughton’s response to impending war. The actor later said he rang the bells actually wanting “to arouse the (real) world, to stop that terrible butchery!”

“It is absurd to speak of Laughton’s Quasimodo as a great performance, as if that were some quantifiable assessment. It is acting at its greatest; it is Laughton at his greatest; it is a cornerstone of this century’s dramatic achievement; it is a yardstick for all acting.”
– SIMON CALLOW, NY Times 1988