NPR 2/24/18
Two years ago, France introduced a law to force supermarkets to donate unsold food to charities and food banks. Skeptics called it unworkable at the time, but there are signs the effort is succeeding.
SCREENDAILY
A fearless, powerhouse performance by Laetitia Dosch infuses every frame of Montparnasse Bienvenue (Jeune Femme), the kinetic, incident-packed portrait of rudderless yet resilient Paula, a 31-year-old woman in emotional free-fall. This first film by writer-director Léona Serraille is full of snap and surprises as energetic scatterbrain Paula ricochets from situation to situation after getting dumped by a lover — her former teacher and prominent photographer Joachim (Gregoire Monsaingeon) — with whom she lived for a decade. Following its debut in Cannes (Un Certain Regard) this should travel.
We meet Paula pounding on a door — first with her fist and then with her forehead — demanding to be let in. In a sequence at the hospital where the resulting gash is treated, we witness Paula’s manic gift for navel-centered gab and her oblivious knack for casually insulting the very people trying to help her. She’s a walking train wreck who manages to lurch from station to station as we look on. There’s literally never a dull moment. [ . . . ] READ FULL REVIEW
A truce has been reached to bring an end to the Camembert wars that have plagued one of France’s most pungent cheese for a decade, but some say the quality of the famous fromage will never be as good [ . . . ]
After the progressive Mayor Anne Hidalgo converted a busy auto road into a park, city residents have reveled in the new public space–except for the car lobby, which is threatening to undo her work [ . . .]
Back on France Culture with ‘By Les Temps qui cour’ (which replaces ‘Les Nouvelles Vagues’ since the beginning of the school year), the passionate and thoughtful Marie Richeux also released at the end of August her third book, Climats de France, a rich exploration and poetic of Franco-Algerian relations taking as a point of departure his childhood in a city of Meudon-la-Forêt. We wanted to know which films water this great thirsty for culture.
Three Favorite Films of All Time
King of the Wind and Electric Queens (2014) by Cédric Dupire and Gaspard Kuentz, a so-called “documentary” experience about a fair in India that never clearly reveals its stake and is so powerful in the electricity of this moment. The Lesser Mantra (1997) by Fernand Deligny, Josée Manenti and Jean-Pierre Daniel. His film shows, like his books, how to question the way we look at others, and to make this interrogation the very subject of a link (therefore a cinema) is fertile. The Wonders (2014)Alice Rohrwacher. It is so beautiful. Amongst other things, there is this scene where the two sisters look with concentration at the way the sun settles on the floor and the walls. It is very moving [ . . . ]
For the past two weeks, residents in a village in Eastern France have been left flabbergasted by the repeated appearance of countless pairs of underwear, hung out to dry in public squares and spaces.