Isabelle Huppert Says Michael Cimino “Never Got Over” ‘Heaven’s Gate’

“I loved him,” says the star of ‘Elle’ and ‘Things to Come.’

French superstar Isabelle Huppert — one of the leads of 1980’s legendary disaster Heaven’s Gate — says she stayed in touch with its director, Michael Cimino, and saw him “a few months before he died [in July]. In Paris.”

The actress — who has drawn acclaim for her role in Elle as a successful businesswoman who is raped by a mystery man, and whose new film, Things to Come, […] — added: “I loved him, of course. He was extraordinary, probably one of the greatest living American filmmakers.”

But, Huppert said, she believed the turmoil surrounding his picture, which went massively over budget and almost destroyed United Artists, had a terrible effect on him: “Basically he never really, deep inside, he never really got over it. But it was completely inspired. I went there for two months, and then we ended up being there, in Montana, for seven months.”

Huppert last saw the picture in Lyon, France, where it was screened at a film festival. “Michael remastered the print, with new colors,” she said. “It was a bit weird for me, I have to say, because the colors were very different. You know, the colors of the original film were very [muted].”

The actress added: “It was Vilmos Zsigmond, the great cameraman who passed away, too, recently. And Michael and Vilmos didn’t get along so well. After the movie, Michael always thought that it was not the color he wanted. It was a bit sepia-like. And then Michael was very happy with the new [version]. When I first saw it, the green was so green, and the red was so red. It was very, very different from what I saw in the first place. But he was happy that he did it. I think he was happy, because also he was completely immersed in the film again by doing this, because it took him many weeks to do that version.”

Since making Heaven’s Gate early in her career, Huppert, 63, has appeared in some 90 movies (even she is not quite sure of the exact number), including the Cannes release Elle, directed by Paul Verhoeven, and Things to Come, in which she plays a philosophy professor whose husband leaves her for another woman.

Speaking at Loyola Marymount University’s School of Film and TV earlier this month, while taking part in the ongoing interview series The Hollywood Masters, Huppert said she was not concerned about fallout from Elle‘s mix of comedy and drama — though she argued that it was a complete misnomer to refer to it as a “rape comedy,” as some have done.

“I think personally, the ‘rape comedy’ is absolutely irrelevant, because it can’t be a ‘rape comedy,’ you know?” she said. “To me there is an integrity to the film. It’s not [a comedy simply] because there’s this huge sense of irony; irony doesn’t mean that a film is comic. It’s two different topics. People get the film in its integrity, in its complexity, in its disturbance. I’m not denying how much Verhoeven is on the razor’s edge. And certain people won’t get the movie. But that’s the risk.”


[11/25/2016 by Stephen Galloway] Source: Isabelle Huppert Says Michael Cimino “Never Got Over” ‘Heaven’s Gate’ | Hollywood Reporter


Grand Corps Malade, in acoustic session with the editor (and we offer a new video for Valentine’s Day!) – She

For his sixth album “Plan B” which will be released on February 16, Grand Corps Malade returns with a sharp and mocking style, raw lyrics and in the air, but especially with his voice so serious and recognizable between a thousand … The most famous of the French slameurs is the guest of the editorial team, this wednesday february 14 at 3pm , for an ELLE LIVE acoustic session, to follow on our Facebook page.

And above all, for readers of ELLE, Grand Corps Malade unveils its new music video “Sunday evening” written for his wife and that he will perform this afternoon! Do not miss !

Source: Grand Corps Malade, in acoustic session with the editor (and we offer a new video for Valentine’s Day!) – She

Elle: Empowerment in the Darkness

Elle is the sensational new thriller from Paul Verhoeven, and his first major film in a decade. Starring an outstanding Isabelle Huppert, this French film is not an erotic thriller, like the Dutch director’s infamous Basic Instinct. Instead, it’s a gripping film about a businesswoman’s complex response to being raped. From the opening shot of her cat watching the horrific event unfold, you know you’re in for a typically audacious film from a vastly under-appreciated director.

Verhoeven is best known for directing bombastic sci-fi/action classics like Robocop, Total Recall and Starship Troopers. Rather like the work of Douglas Sirk in the Golden Age of Hollywood, Verhoeven’s films were written off as lowbrow trash in their day, only for their artful, cutting satire to be appreciated later. He creates discomfort in his audience by playing with cinematic elements many take for granted. His incredibly glossy films use deliberately gratuitous sex and violence to comment on the dark undercurrent of both American cinema and society.

Even Showgirls, a popular contender for the worst film ever made, has been re-evaluated by critics and is appreciated by arthouse favourites like Jim Jarmusch and Jacques Rivette.While his last American film, Hollow Man, proved to be a hit, Verhoeven felt his films were losing his personal touch, and that Hollow Man could just as easily have been made by some other director. He retreated to Europe to [ . . . ]

Read Full Story: Elle: empowerment in darkness | Arts & Culture | Film | spiked