23 Things You Never Knew About ‘The French Connection’

Holy sh**, that car chase is crazy!

By Gary Susman

When you think of Best Picture Oscar winners, you think of grand epics or weighty historical topics, not grimy, intimate cops-and-robbers dramas.

The French Connection” changed all that when it was released 45 years ago this week (on October 9, 1971). It proved that true-crime dramas could be the stuff of both high art and blockbuster action filmmaking. It won Best Picture and four other Oscars, made A-listers of Gene Hackman and director William Friedkin, and thrilled audiences with what is still one of the most hair-raising car chase sequences ever filmed. In honor of its 45th, here are 23 things you never knew about this classic. 1. “The French Connection” is based on a real-life 1961 drug bust made by New York cops Eddie “Popeye” Egan and Sonny “Cloudy” Grosso. The bust netted 112 pounds of heroin with a street value of $32 million. Egan (the inspiration for Jimmy “Popeye” Doyle, Hackman’s character) and Grosso (the inspiration for Buddy “Cloudy” Russo, Roy Scheider‘s character) not only served as technical advisers on the film, but also can be seen in cameos. Egan plays Walter Simonson (the character based on Egan’s own boss) and Grosso plays Detective Klein

2. Friedkin — then an up-and-coming young director with four financially disappointing movies under his belt — took on the project after seeking career advice from legendary old-school director Howard Hawks. “People don’t want stories about people’s problems or any of that psychological sh**,” Friedkin quoted Hawks as telling him. “What they want is action stories. Every time I made a film like that, with a lot of good guys against bad guys, it had a lot of success.”

3. Hackman was not Friedkin’s first choice to star. In fact, the filmmakers had considered Steve McQueenLee MarvinJames CaanPaul NewmanRobert MitchumPeter Boyle, and Jackie Gleason, all of whom turned the role down. They even considered casting Egan to play himself before ultimately hiring iconic New York newspaper columnist Jimmy Breslin. But Friedkin fired Breslin quickly after discovering that the newsman wasn’t much of an actor and, like many New Yorkers, didn’t know how to drive. So Hackman won the role without even having to audition.4. According to Friedkin, Hackman balked at having to talk and behave like a racist thug. He had a hard time getting into character for a scene early in the shoot, where Popeye rousts a suspect in a vacant lot. Continue reading “23 Things You Never Knew About ‘The French Connection’”

Mademoiselle Chambon

I rewatched one of my favorite French films recently, Stéphane Brizé’s “Mademoiselle Chambon” (2009.)

“Mademoiselle Chambon” is a contemplative love story about a 50-something bricklayer named Jean (played by the magnificent Vincent Lindon) who falls in love with his young son’s teacher, Véronique Chambon (played by actress/singer Sandrine Kiberlain). Jean is married, Véronique is not. Complications ensue.

Chambon
Sandrine Kiberlain as title character

There are several moments in the film that have remained with me since first viewing: Véronique playing her violin with her back to Jean because she is shy performing;  Jean at home with his family, lovingly washing the feet of 80-year-old father. These scenes are beautifully imagined and masterfully acted.

My favorite scene is below: Véronique plays a classical piece on the stereo for Jean – La Valse Triste by Hungarian composer Franz von Vecsey. Two souls meet with no words spoken. When Jean places Véronique’s hand on his own cheek, I felt butterflies. Director Stéphane Brizé has said, “You don’t rehearse scenes like that.”

Watch the clip. Rent the movie.

The Dardennes Explore Their Theme in ‘Two Days, One Night’ – The New York Times

“Two Days, One Night,” the new film from the Dardenne brothers, follows a woman who must ask her co-workers to sacrifice their bonuses for her.

Source: The Dardennes Explore Their Theme in ‘Two Days, One Night’ – The New York Times

Ratatouille Ain’t Nouvelle Vague

Ratatouille_wall

The French New Wave movement in cinema (Nouvelle Vague en francaise) began in the late 1950’s and the tenets of Nouvelle Vague continue to be seen in French films today.

Notable features of this movement include:

  • slow, subtle and ambiguous plots
  • strong character development
  • few happy endings, or even conclusive endings
  • an emphasis on Art over profits
belmondo
Belmondo Action Figure

While I have a genuine appreciation for Nouvelle Vague, I also appreciate a film like Pixar’s “Ratatouille” (2007), which not only sold beaucoup movie theater tickets, but also beaucoup toys. (I doubt the Jean-Paul Belmondo action figure ever made more than few francs – even with the optional toy cigarette that produces real smoke!)

Continue reading “Ratatouille Ain’t Nouvelle Vague”