A Map of Every Amelie Filming Location in Real Life (in Paris)

Amelie (Le fabuleux destin d’Amélie Poulain in French), directed by Jean-Pierre Jeunet, became a French classic with worldwide fame. The romantic comedy shows the history of Amélie Poulain (Audrey Tautou), a waitress in Montmartre who keeps watching the people around her. She aspires to do some good around her and finds a small toy box and decides to find its owner. On her way, she will meet many characters, always with Yann Tiersen music as the original soundtrack, and she will go through many places in Paris you must visit.

If you already know this movie, get ready to follow Amélie Poulain’s steps. If you don’t, watch it before you even read this article, and you shall see a difference in these mythical places.

Read Full Story: A Map of Every Amelie Filming Location in Real Life (in Paris)

Grand Corps Malade films his joyous ordeal in “Patients”

Slameur, Grand Corps Malade adapts his autobiographical novel “Patients” with Mehdi Idir, which is also the first realization. Given the subject and talent of the slammer, the film is rather identified and little is known about the contribution of his partner. The result is none the less astonishing of justness, funny, romantic, on a subject that hardly lends itself to it: hospitalization [ . . . ]

Read Full Story: Grand Corps Malade films his joyous ordeal in “Patients”

 

Grand Corps Sick: from slam to big screen

Fabien Marsaud’s name may not tell you much. And for good reason, this name is hidden behind that of Grand Corps Malade, the slammer to the five albums, but also the co-director of the film “Patients” presented in preview at the Festival of Film of Love which takes place until Friday at Mons, Belgium.

Victim of a sports accident at the age of 20, Fabien Marsaud finds himself quadriplegic incomplete, forcing him to review the copy of his life. For him, 1997 will be the year of change, of a new beginning. He will swap the basketball against the ballpoint pen. A conversion he will undertake successfully. He will now be called Grand Corps Malade.

His handicap, Fabien spoke in his slam “The Sixth Sense”. But in 2012, he wants to talk more about it through his book “Patients”, which now enjoys a cinematographic adaptation. The talent of Grand Corps Malade is reflected through the writing of the script and its co-realization with its longtime accomplice Medhi Idir. With modesty and strength, the duo of directors moved all the festival-goers of the Festival of the Film of Love of Mons where it was presented in preview [ . . . ]

Full Interview: Grand Corps Sick: from slam to big screen [interview]

Oscar Nominations for French Films!  

The official Oscar nominations were announced Tuesday, January 24th. French films represent seven categories, with nine total nominations!

Oscar nominees for the 89th annual awards were announced on Tuesday morning during a live-streamed event filmed in six cities around the globe.

The Academy Awards, hosted by Jimmy Kimmel for the first time, will air live on ABC on Feb. 26. French and French Language films represent seven categories, with nine total nominations!

Read Full Story: Oscar Nominations for French Films! | French Culture

Under the Covers

By Michael Stevenson

Occasionally an artist remakes a classic film or an iconic song, and the effort makes me wonder, “why bother in the first place?” I’ve always felt that it makes more sense to remake lousy movies or records, and try to make these into something halfway decent.

Why remake a masterpiece such as Hitchcock’s Psycho, or James Ivory’s A Room With a View? Wouldn’t it be better to remake Cameron Crowe’s recent films  – Elizabethtown, We Bought a Zoo, and Aloha – and make these something watchable?  And why would a singer make a record titled “[insert name here] Sings Frank Sinatra” or “[insert name here] Sings Patsy Cline”?

Sometimes the Cover or Remake Works

Philip Kaufman’s remake of Invasion of the Body Snatchers was superior to the 1956 original, as was Coen Brothers’ version of True Grit. The Wizard of Oz that we all know and love (1939) was actually a remake of a 1925 bomb. As for music, the late Joe Cocker recorded a song off the Beatles’ Sgt. Peppers, and made it his own. The Beatles themselves forever swiped “Twist and Shout” from the Isley Bothers.

Forgive my Rachel Maddow-like preamble, but I now present Rodolphe Burger’s cover of Michael Jackson’s “Billie Jean” – a ballsy and brilliant remake of one of the most iconic songs belonging to a true American music legend.

Give it a listen and tell me – what do you think