Director Mia Hansen-Løve and actor Isabelle Huppert discussed their highly acclaimed new film ‘Things to Come’ at a press conference during the 54th New York Film Festival.
Category: Movies
Merci, France!
La Seine a rencontré Paris
A 1957 French short documentary film directed by Joris Ivens from a screenplay by Jacques Prévert. Told from the perspective of a boat trip through the city, it features scenes of daily life along the river. The film won the short film Palme d’Or at the 1958 Cannes Film Festival.
Charlotte Gainsbourg, Reluctant Icon Of French Chic

By Phoebe Maltz Bovy
Charlotte Gainsbourg — daughter of French-Jewish singer Serge Gainsbourg and English actress (and handbag namesake) Jane Birkin — continues the family tradition of combining artistic excellence with Parisian glamorousness. Gainsbourg plays an important role in Joseph Cedar’s new film, “Norman”, and is also (oh to be so chic and part-French!) promoting a makeup line with Nars. And like any self-respecting representative of Frenchwoman style, Gainsbourg shares some beauty rituals but pushes back against the whole French beauty thing.
I want to be immune to the breathless (heh) items about how to look like a Parisienne, but I click, I always click. Even if the answer — as per Gainsbourg, and as per all ten trillion articles of this type — is to wear less foundation if you wish to look more French. Well, not exactly — it’s that French ladies supposedly wear less foundation than their American equivalents. Which may well be, but I have it on good authority (the mirror) that an American woman can eschew foundation and not look even the least bit French.
Source: Charlotte Gainsbourg, Reluctant Icon Of French Chic – The Forward
Coppola, Haneke among filmmakers vying for top Cannes prize
A Civil War film by Sofia Coppola, a Ukrainian road movie and a drama about AIDS activism are among 18 films competing for prizes at this year’s Cannes Film Festival, which organizers hope can help counter nationalist sentiment.
More at Source: Coppola, Haneke among filmmakers vying for top Cannes prize – France 24
Charlotte Gainsbourg Does the Opposite of Freeing the Nipple
This weekend, Richard Gere’s political thriller Norman: The Moderate Rise and Tragic Fall of a New York Fixer premieres wide in theaters. On Wednesday, the cast gathered for an intimate New York screening hosted by the Cinema Society — in addition to the film’s star Gere, actors Lior Ashkenazi, Charlotte Gainsbourg, Hank Azaria, and Steve Buscemi all put in appearances. Actress and consummate French cool girl Gainsbourg plays Alex Green, who NPR recently described as “a New York-based corruption investigator for the Israeli government” who encounters the titular businessman played by Gere.
At the screening, surrounded by her suited male co-stars, Gainsbourg cut a particularly striking figure in an edgy Saint Laurent ensemble, plus t-shirt, minus glitter boots. It’s a look that showed during the Spring 2017 season, the collection that marked Anthony Vaccarello’s Saint Laurent debut. (Gainsbourg herself also sat front-row at the debut.) Originally modeled by Binx Walton, the leather minidress was an especially bold look — its most notable accessory being the rhinestone heart pasty on Walton’s breast, a gesture at modesty for the cutaway design. But for Gainsbourg’s red carpet appearance, she opted for a slightly more demure take on the look, doing whatever you might call the opposite of freeing the nipple [ . . . ]
Reade Full Story at: Charlotte Gainsbourg Does the Opposite of Freeing the Nipple | W Magazine
Outcry as Cannes Film Festival poster ‘thins’ Claudia Cardinale’s curves
The official poster for this year’s Cannes Film Festival sparked an outcry Wednesday over claims that Italian actress Claudia Cardinale’s thighs had been airbrushed to make them thinner.
French media poured scorn on the festival for seemingly tampering with a photograph of Cardinale swirling her skirt on a Rome roof in 1959.
“Claudia Cardinale dropped a dress size in one swirl,” said the left-leaning Liberation, while the culture magazine Telerama questioned why it was necessary to retouch the famously sexy star when she was in her heyday.
“While the poster is magnificent, the photograph has clearly and deplorably been airbrushed to thin the actress’s thighs. What a pity,” it said. [ . . . ]
Read Full Story: Outcry as Cannes Film Festival poster ‘thins’ Claudia Cardinale’s curves – France 24
