I watched Things to Come for a second time last night. It is one of those films that demands several viewings to fully appreciate, yet immediately I was touched by the tenderness and honestly of director Mia Hansen-Love’s story, and blow-away by actress Isabelle Huppert’s brilliance as an actress. Going back for a third.
– Mike Stevenson
Midway through “Things to Come,” Isabelle Huppert’s protagonist has a disconcerting encounter in a cinema, distracting her from Juliette Binoche’s own on-screen emotional uncertainty in Abbas Kiarostami’s 2010 jewel, “Certified Copy.” It’s a cheeky move to so fleetingly cameo that level of perfection in one’s own work, but Mia Hansen-Love’s fifth — and possibly best — feature pulls it off with warmth and grace to spare. At once disarmingly simple in form and riddled with rivulets of complex feeling, this story of a middle-aged Parisienne philosophy professor rethinking an already much-examined life in the wake of unforeseen divorce emulates the best academics in making outwardly familiar ideas feel newly alive and immediate — and has an ideal human conduit in a wry, heartsore Huppert, further staking her claim as our greatest living actress with nary a hint of showing off. Following widespread distribution for the dazzling but younger-skewing “Eden,” the arthouse future for Hansen-Love’s latest is surely a bright one [ . . . ]