Eight years ago, Steve Jobs handpicked one of the most unlikely songs to soundtrack an Apple spot. Whimsical and modest, Yael Naïm’s folk-pop “New Soul” was more willfully analog than tech-savvy. But mostly, it was catchy-catapulting around the globe, from the northern and southern to eastern and western hemispheres. In the U.S. alone, it sat on three Billboard charts: the Hot 100, Adult Alternative, and Adult Top 40. “It was,” Naïm says sweetly, “a miracle.” [ . . .  ]

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