In “Rest”, Charlotte Gainsbourg explores the sharp edges of grief

CHARLOTTE GAINSBOURG is full of nervous energy, switching from sitting on the sofa to the floor, pouring streams of green tea. It has been nearly eight years since the release of her last studio album, the critically acclaimed “IRM”, and her long hair has since been lopped off into a bob. She will release “Rest”, her new album, on November 17th, and is starring in two upcoming films—“The Snowman”, an English-language crime drama, and “Promise at Dawn”, a French adaptation of a novel by Romain Gary.Notoriously shy, she is still no stranger to exposure. Her parents—Serge Gainsbourg, France’s most revered musician, and Jane Birkin, an English actress and singer—courted the tabloid obsession with their scandalously chic family. Ms Gainsbourg began her music career aged 12 with “Lemon Incest”, a duet with her father (the sort of thing which would make less avant-garde tweenagers combust with embarrassment). Even now, at 46, she appreciates her father’s attentions as an artistic collaborator. “I like touchy subjects and things that make you uncomfortable,” she says. She remembers being in the spotlight with him fondly. “The way for my father to tell me that he loved me was through the media. He wasn’t very outgoing in private; he disguised his feelings much more.”

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