Tag: obit

French actress and animal rights activist Brigitte Bardot has died : NPR

Legendary screen siren and animal rights activist Brigitte Bardot has died at age 91. The alluring former model starred in numerous movies, often playing the highly sexualized love interest.

By Elizabeth Blair

Brigitte Bardot, the international sex goddess of cinema in the 1950s and ’60s, has died aged 91. Bardot’s animal rights foundation announced her death in a statement to news agency Agence France-Presse on Sunday, without specifying the time or place of death.

Stylish and seductive, Bardot exuded a kind of free sexuality, rare in the buttoned-up 1950s. She modeled, made movies, influenced fashion around the world and recorded albums. She married four times. Her list of lovers famously included Warren Beatty, Nino Ferrer and singer-songwriter-producer Serge Gainsbourg, with whom she recorded the French hit Bonnie and Clyde.

As an actor, Bardot worked with some of France’s leading directors including Henri-Georges Clouzot in La Vérité (The Truth), Jean-Luc Godard in Le Mépris (Contempt) and Louis Malle in Viva Maria!

Born Catholic to an upper-middle-class couple in Paris in 1934, Bardot studied ballet and modeled before becoming an actor. As a teenager, she appeared several times on the cover of Elle magazine, attracting the attention of Roger Vadim who was six years her senior. The two married in 1952. Bardot’s parents made them wait until she turned 18.

Vadim, an aspiring director, has been credited with turning Bardot into the iconic sex symbol she became. In his 1957 film And God Created Woman, Bardot plays a provocative young woman on a quest for sexual liberation.

Vadim wanted Bardot’s appearances in his films to shake off sexual taboos. He once said that he wanted to “kill the myth, this odd rule in Christian morality, that sex must be coupled with guilt.”

Source: French actress and animal rights activist Brigitte Bardot has died : NPR

Françoise Hardy, French pop singer and fashion muse, dies aged 80

Singer and actor who wrote some of her country’s biggest pop hits had suffered with lymphatic cancer for many years

Françoise Hardy, whose elegance and beautifully lilting voice made her one of France’s most successful pop stars, has died aged 80.

Her death was reported by her son, the fellow musician Thomas Dutronc, who wrote “Maman est partie,” (or in English, “mum is gone”) on Instagram alongside a baby photo of himself and Hardy.

Hardy had lymphatic cancer since 2004, and had undergone years of radiotherapy and other treatments for the illness. In 2015, she was briefly placed in an induced coma after her condition worsened, and had issues with speech, swallowing and respiration in the years since. In 2021, she had argued in favour of euthanasia, saying that France was “inhuman” for not allowing the procedure.

Hardy was born in the middle of an air raid in Nazi-occupied Paris in 1944, and raised in the city, mostly by her mother. Aged 16, she received her first guitar as a present and began writing her own songs, performing them live and auditioning for record labels. In 1961, she signed with Disques Vogue.

Inspired by the French chanson style of crooned ballads as well as the emerging edgier styles of pop and rock’n’roll, Hardy became a key part of the yé-yé style that dominated mid-century French music. It was named after the predilection for English-language bands of the time to chant “yeah”, and Hardy had a hand in its coinage: an early song, La Fille Avec Toi, began with the English words: “Oh, oh, yeah, yeah.”

The self-penned ballad Tous les garçons et les filles was her breakthrough in 1962, and sold more than 2.5m copies; it topped the French charts, as did early singles Je Suis D’Accord and Le Temps de L’Amour. In 1963, Hardy represented Monaco at the Eurovision song contest and finished fifth.

Her growing European fame meant she began rerecording her repertoire in multiple languages, including English. Her 1964 song All Over the World, translated from Dans le Monde Entier, became her only UK Top 20 hit, but her fame endured in France, Italy and Germany. In 1968, Comment te Dire Adieu, a version of It Hurts to Say Goodbye (originally made famous by Vera Lynn) with lyrics by Serge Gainsbourg, became one of her biggest hits.

Hardy’s beauty and deft aesthetic – which encompassed cleanly silhouetted tailoring alongside more casual looks, including knitwear and rock-leaning denim and leather – defined the seeming effortlessness of 20th-century French cool. She became a muse to designers including Yves Saint Laurent and Paco Rabanne, and was also a frequent subject for fashion photography, shot by the likes of Richard Avedon, David Bailey and William Klein. Later, designer Rei Kawakubo would name her label Comme des Garçons after a line in a Hardy song.

Hardy was an object of adoration to many male stars of 60s pop including the Rolling Stones and David Bowie. Bob Dylan wrote a poem about her for the liner notes of his 1964 album Another Side of Bob Dylan, beginning: “For Françoise Hardy, at the Seine’s edge, a giant shadow of Notre Dame seeks t’ grab my foot …”

She was also courted by directors, appearing in films by Jean-Luc Godard, Roger Vadim, John Frankenheimer and more.

Hardy left Disques Vogue amid financial disputes, and signed a three-year deal with Sonopresse in 1970. This creatively rich period saw her record with Brazilian musician Tuca on 1971’s highly acclaimed La Question, and continue her multi-lingual releases, but by the contract’s end her stardom had waned and it was not renewed.

She spent the mid-1970s chiefly focused on raising her son Thomas with her partner, musician and actor Jacques Dutronc. Releases restarted with 1977’s Star, and Hardy embraced – not always enthusiastically – the sounds of funk, disco and electronic pop. A longer hiatus in the 1980s was punctuated by 1988’s Décalages, billed as her final album, though she returned in 1996 with Le Danger, switching her palette to moody contemporary rock. She released six further albums, ending with Personne D’Autre in 2018.

Having first met in 1967, she and Jacques Dutronc married in 1981 – “an uninteresting formality”, she later said of marriage in general – and separated in 1988, though they remained friends. She is survived by him and their son.

 

Source: Françoise Hardy, French pop singer and fashion muse, dies aged 80 | Françoise Hardy | The Guardian

Sir Michael Gambon obituary

The word “great” is somewhat promiscuously applied to actors. But it was undoubtedly deserved by Sir Michael Gambon, who has died aged 82 after suffering from pneumonia.

He had weight, presence, authority, vocal power and a chameleon-like ability to reinvent himself from one part to another. He was a natural for heavyweight classic roles such as Lear and – in the days when white actors habitually played the role – Othello. But what was truly remarkable was Gambon’s interpretative skill in the work of the best contemporary dramatists, including Harold Pinter, Alan Ayckbourn, David Hare, Caryl Churchill and Simon Gray.

Although he was a fine TV and film actor – and forever identified in the popular imagination with Professor Albus Dumbledore in the Harry Potter franchise – the stage was his natural territory. It is also no accident that, in his private life, Gambon was an expert on, and assiduous collector of, machine tools and firearms for, as Peter Hall once said: “Fate gave him genius but he uses it as a craftsman.”

Off-stage, he was also a larger-than-life figure and  [ . . . ]

Continue at The Gurdian: Sir Michael Gambon obituary | Michael Gambon | The Guardian

Jane Birkin obituary

By Ryam Gilbey

Singer and actor who duetted with Serge Gainsbourg on Je T’aime … Moi Non Plus in 1969 and went on to a prolific film career

The sultry 1969 hit single Je T’aime … Moi Non Plus was a four-and-a-half-minute distillation of languid Gallic cool, in which a Frenchman, his voice coarsened by Gitanes, is heard billing and cooing with an ecstatically sighing young Englishwoman over the swirling motif of a baroque organ. That man was Serge Gainsbourg; his companion was Jane Birkin, the actor and singer, who has died aged 76. Though Birkin worked with some of the world’s finest film-makers, including Jacques Rivette and Agnès Varda, she knew that Je T’aime … would be remembered above everything else she did. “When I die, that’ll be the tune they play, as I go out feet first,” she said.

Birkin was 21 when she and Gainsbourg met while starring together in the film Slogan (1969). He was 40, and had previously recorded Je T’aime … as a duet with Brigitte Bardot, only for the actor to withdraw permission for it to be released. Birkin had already starred in a 1965 musical, Passion Flower Hotel, scored by John Barry, whom she married that year at the age of 19 and from whom she was divorced in 1968; he was the father of Kate, the first of Birkin’s three daughters. But it was on the duet with Gainsbourg, she said, that for the first time “somebody thought I had a pretty voice”.

She sang her part an octave higher than Bardot. “It gave it a choirboy side that [Gainsbourg] liked a lot,” she said. Rumours that the vocal track was recorded under the covers during a moment of intimacy were untrue (the couple were standing at separate microphones in a studio in central London) though they did nothing to harm the mythology surrounding a song that was later condemned by the Vatican. “I just remember thinking it was all terribly funny,” she said. [ . . . ]

Continue at source: Jane Birkin obituary | Jane Birkin | The Guardian

Bertrand Tavernier, veteran French director of Round Midnight, dies aged 79

Acclaimed film-maker won a string of awards for a wide variety of films, including crime and film noir, as well as his celebrated film about a jazz musician

Bertrand Tavernier, the veteran French director of a host of acclaimed films including A Sunday in the Country, Round Midnight and These Foolish Things, has died aged 79. The news was announced by the Institut Lumière, the film organisation of which he was president. No cause of death was given.

Tavernier’s output was prolific: he made his directorial debut in 1974 with The Clockmaker of St Paul and worked continuously until 2013, when he released his final feature film, The French Minister. He also took in a wide variety of material, from crime and noir, to comedy, jazz and historical drama.

Born in Lyon in 1941, Tavernier was the son of magazine publisher René Tavernier, whose anti-Nazi principles would greatly influence Bertrand. Like the generation of French New Wave directors that slightly preceded him, Tavernier grew up as a film obsessive; having moved to Paris after the war, he founded his own magazine and managed to get a job as an assistant director to Jean-Pierre Melville on the 1961 film Léon Morin, Prêtre. By his own admission, he was so bad as an AD that Melville instead made him the publicist for its follow-up, Le Doulos. It was in this role that Tavernier made his first mark in the film industry, working as a publicist on a series of New Wave classics, including Jean-Luc Godard’s Contempt and Agnés Varda’s Cleo de 5 à 7. “We were the first film publicists who were film buffs – we only accepted the films we liked,” he told the Guardian in 2008.

Continue reading “Bertrand Tavernier, veteran French director of Round Midnight, dies aged 79” →