The comedy, whose fourth series hits Netflix this week, shows France’s TV can match its film
Fast approaching 50 and fed up after two exhausting decades at Artmedia, the top talent agency in Paris, Dominique Besnehard decided, one day in 2005, that he would quite like to turn his hand to producing something of his own.
“At the time,” Besnehard told Le Monde, “Desperate Housewives was all over the telly, a huge success. I just thought, with a couple of colleagues, we could maybe make a series a bit like that, but about the job we do for a living.”
Call My Agent, whose fourth series starts on Netflix this week, is now a huge hit – and has, along with Spiral and The Bureau, two other acclaimed series, fully and perhaps finally disproved the dictum that France is as bad at TV drama as it is good at cinema.
“France is really benefiting from a global trend in TV series towards strong, original, local stories, anchored in their territory and free of American and British norms,” said Laurence Herszberg, director of the international Series Mania festival.
The show, she said, was so big because it was “set in a milieu we don’t know well but would like to; because the agents are sympathetic and passionate and people like them even more than the guest stars; because it’s very French – it’s in Paris, it has office love affairs … And because it’s on Netflix.”
Call My Agent, whose French title is Dix pour Cent (for the 10% fee French agents charge actors), draws between 3 and 4 million viewers on public broadcaster France 2 and is available around the world on the streaming service.
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