Maïmouna Doucouré’s prize-winning directorial debut is a smart, empathetic coming-of-age drama.
Early on in “Cuties,” Amy (Fathia Youssouf), an 11-year-old Senegalese immigrant living in Paris, hides under a bed and eavesdrops while her mother, Mariam (Maïmouna Gueye), makes a few difficult phone calls. Her husband has decided to marry a second wife, she tells her friends; yes, isn’t that wonderful news? Amy, from her partially obscured vantage, can’t see her mom’s tears, though she can hear the barely disguised anguish in her voice. At the same time, she has perhaps never seen Mariam more clearly, a woman whose long-suffering heart and tough exterior are finally on the verge of breaking. Continue reading “‘Cuties’ review: Despite Netflix bungling, it’s worth seeing”
Video streaming giant Netflix has apologised after its promotional material for a French film sparked accusations that it was sexualising young girls.
The award-winning Cuties (Mignonnes in its French release) follows 11-year-old black girl Amy as she grows up in a working-class area of Paris, defies her family and becomes aware of her burgeoning sexuality.
The poster promoting the film in France shows four brightly dressed girls throwing confetti as they walk up a street.
However, in the United States and internationally Netflix chose an image showing the four young stars posing in tight costumes baring their legs and midriffs.
“We’re deeply sorry for the inappropriate artwork that we used for Mignonnes/Cuties. It was not OK, nor was it representative of this French film which won an award at Sundance,” Netflix said on Twitter late Thursday.
“We’ve now updated the pictures and description.” Continue reading “Netflix apologises for ‘sexualising’ young girls in French film promo”