La Mer de Debussy by the Orchester national de France and piano with Francesco Piemontesi

Live from the Auditorium, Debussy’s Sea, so marvelous and mysterious, brings to light the elusive nature of air and water. Upstream the pianist Francesco Piemontesi, whom we will receive at intermission, mingles with softness and virtuosity to the Orchester national de France.
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French electronic duo Her find immortality in their music

“We choose the way we’ll be remembered.” The first song Simon Carpentier and Victor Solf wrote as French electronic duo Her opens their self-titled debut album with those words. Both of them were afraid of the future at the time and needed to make a song about how they should be the ones to decide how they are remembered. No one else could decide.

“We Choose” was released after Carpentier’s death from cancer, aged 27, in August 2017. He and Solf had met over a decade ago at their school in the medieval town of Rennes, north France, forming Her in 2015 after their first band, electro-pop band The Popopopops, split two years earlier.

Knowing their time was limited, they mapped out how they wanted their debut album to sound, and how the entire project would be presented to the world. You’d be hard-pushed to find a record or another band to compare it to, and it’s not what you might expect from a French electronic act.

“Making this album was a very intense part of our life,” Solf says. He’s sat, in an orange roll-neck sweater and black trousers – handsome in a particularly French way, with a strong jaw and dark, close-cropped hair – at a venue in Paris where the first part of a documentary about Her will be shown, along with a live performance by him and his band members.

 

“It was really important for us to be able to produce our songs, to be really focused on the whole project,” he continues. “But it was also important to trust people and bring them in; we’d been working with our sound engineer for five years, even before Her, and he really helped us a lot on the production and the mixing.

“Sometimes you can’t see anymore what’s wrong with a song, so someone a little bit outside can help. It was the same with the musicians, Simon could play the guitar and the bass and I could play the keyboard and some drums, so we could have recorded it ourselves if we’d really wanted, but it’s not how we think about music. We started to work with three other musicians – without computers – in the studio, and it was really nice to have different opinions.” Continue reading “French electronic duo Her find immortality in their music”

Mathieu Amalric, the vibrant goblin of the French cinema

Actor and director performs Barbara, a biopic on the fascinating French singer starring his wife, Jeanne Balibar

 

The window of Parisian hotel resists. In person Mathieu Amalric ( Neuilly-on-Seine, Hauts-de-Seine, 1965) possesses same playful spirit that many of its characters on screen, goblins who take refuge behind its big eyes and its enormous smile of joker. And with those weapons he has involved journalist in attempt to open a window so that actor and director can smoke. There is a padlock in between and an alarm that jumps somewhere in reception. Amalric doesn’t stop laughing with little girl. “We can’t even kill ourselves here!” Until a conical waiter appears. Impossible. Amalric looks at him and in 30 seconds he coaxes with his chatter. Result: The filmmaker smokes in room thanks to a cup reconverted into an ashtray. Continue reading “Mathieu Amalric, the vibrant goblin of the French cinema”