Film stars protest sexual harassment at ‘French Oscars’

FRANCE 24

Throughout the Cesar Awards ceremony Friday night, presenters and winners referenced the movement that has campaigned for an end to abuses by powerful men.

And the packed concert hall stood in ovation as the presenter called on everyone to support the #MaintenantOnAgit (Now We Act) campaign launched this week, aimed at raising money to help women pursue legal complaints against abusers.

Anger over sexual violence and demands for gender equality in the cinema industry charged the atmosphere around this year’s Cesars – much like around the Oscars coming up Sunday in Hollywood.

Instead of wearing black – as actors in the U.S. and Britain have done at recent awards shows – French stars chose to wear a white ribbon to make their statement.

So did special guests like Penelope Cruz, given a special award for her career’s work.

“The entire world is talking about this, it’s not only a problem of our industry, but of all industries and of any woman who does not have the opportunity to have a microphone in front of her as I have myself,” she told reporters.

The most Cesar awards went to the AIDS drama “120 Beats Per Minute,” which took six prizes, including best film. Directed by Robin Campillo, the movie centers on the activist group ACT UP in Paris in the 1990s at the height of the AIDS crisis.

Producer Marie-Ange Luciani hailed the social change since that era, including growing acceptance of gay marriage. She also had a message for those disconcerted by the turmoil prompted by the #MeToo movement that started in Hollywood with sexual abuse accusations against producer Harvey Weinstein.

“Don’t be afraid of what will happen. This moment is not a threat. It is a promise. And history will show we are right,” she said.

France’s entertainment industry has seen divisions over the #MeToo movement, with Catherine Deneuve notably saying it had gone too far.

No one at the Cesars publicly said anything similar.

The ceremony’s president, Vanessa Paradis – singer and actress and Johnny Depp’s ex-wife – set the tone by opening the show saying: “I am wearing this white ribbon for the fight against violence against women.”

More than 100 personalities, including actress Sandrine Bonnaire, director Agnes Jaoui and actor-director Julie Gayet, asked for donations destined for associations helping women pursue cases before justice, “so that no woman ever again has to say #MeToo.”

French film stars including Juliet Binoche called in a proposal in newspaper Le Monde on Friday for quotas to guarantee that more government film subsidies go to movies directed by women.

The ceremony was dedicated to Jeanne Moreau, the smoky-voiced femme fatale of the French New Wave who died last year, known for her distinctive blend of sensuality, intellect and resolve.

Best actress winner Jeanne Balibar praised actresses for supporting each other amid discrimination, injustice and abuses. “Despite our differences and our competition, we hold on.”

In addition to a white ribbon, actorBlanche Gardin wore a pin with the picture of comedian Louis C.K., accused of sexual harassment, and earned laughter with a sarcastic plea:

“Producers no longer have the right to rape actresses . But do we still have the right to sleep with them to get roles?” she asked. “Because if we don’t, then we have to learn our lines, pass auditions, and we don’t have the time. You realize how much time that takes?”

Chanson du Jour: Theme from “The Shape of Water”

I always say that to compose is to think. Playing is good, it’s useful, but it’s how your intellect puts the ideas together that will bring hands to write or to play. So, it’s really a combination of many things; hearing sounds, hearing layers of counterpoints, of chords.

We were talking about water…I must admit—it was completely unconscious, but the melody I wrote for the opening scene is actually made of waves. I did not do that on purpose, but by being completely immersed in this love and these water elements, I wrote a melody that plays arpeggios like waves.

I could have written another melody that’s not playing waves. That’s why it’s important, before you compose, that your intellect work, and combine with your instinctive emotions that come from watching the film.
– Composer Alexandre Desplat / Deadline