Tag: Juliet Binoche

DVD/Blu-ray: Let the Sunshine In

Un beau soleil intérieur, the film’s French title, is part of a piece of advice given by a clairvoyant (Gérard Depardieu, in a surprise 15-minute cameo at the end of the movie). Try to find the beautiful sun within, he tells Isabelle (a glowing Juliette Binoche) and be “open” (he uses the English word). His huge, dented face seems to take up most of the screen. Isabelle, a lonely, recently divorced artist, who wants him to tell her which of her potential lovers is the best bet, laps his words up tearfully. Any port in a storm.

Whether you enjoy this film by revered director Claire Denis (Beau Travail, White Material; High Life, her first English-language movie, co-starring Binoche and Robert Pattinson, comes out later this year) depends on your tolerance for middle-aged Parisian bobos (bohemian-bourgeois) who flit from gallery to restaurant to loft, having hesitant, repetitive conversations that go nowhere. “What do you want me to say?” “I don’t know,” is a typical example. “It feels so good to stop all this talking,” says Isabelle as she falls into bed with an actor (Nicolas Duvauchelle). You have to agree.

It’s not quite a comedy, not quite a parody; perhaps it’s a meta romcom. The performances are impressive and there is, no doubt, immense skill in Denis’s elliptical, naturalistic, fragmentary direction. This non-linear approach must owe something to co-scriptwriter and collaborator Christine Angot, whose incantatory repetition in her plays and novels is her trademark style. But it’s just that – like life, perhaps – this plotlessness doesn’t result in anything very satisfying. Isabelle, volatile and seductive in stiletto-heeled thigh-high boots, goes from one unsuitable man to the next, swayed by the breeze, and we get to know none of them. As for her ten-year-old daughter, waiting in the car for her dad to finish arguing with Isabelle over his right to keep the keys to their apartment, we see her for about ten seconds [ . . . ]

Continue reading at THE ARTS DESK : DVD/Blu-ray: Let the Sunshine In

Film stars protest sexual harassment at ‘French Oscars’

FRANCE 24

Throughout the Cesar Awards ceremony Friday night, presenters and winners referenced the movement that has campaigned for an end to abuses by powerful men.

And the packed concert hall stood in ovation as the presenter called on everyone to support the #MaintenantOnAgit (Now We Act) campaign launched this week, aimed at raising money to help women pursue legal complaints against abusers.

Anger over sexual violence and demands for gender equality in the cinema industry charged the atmosphere around this year’s Cesars – much like around the Oscars coming up Sunday in Hollywood.

Instead of wearing black – as actors in the U.S. and Britain have done at recent awards shows – French stars chose to wear a white ribbon to make their statement.

So did special guests like Penelope Cruz, given a special award for her career’s work.

“The entire world is talking about this, it’s not only a problem of our industry, but of all industries and of any woman who does not have the opportunity to have a microphone in front of her as I have myself,” she told reporters.

The most Cesar awards went to the AIDS drama “120 Beats Per Minute,” which took six prizes, including best film. Directed by Robin Campillo, the movie centers on the activist group ACT UP in Paris in the 1990s at the height of the AIDS crisis.

Producer Marie-Ange Luciani hailed the social change since that era, including growing acceptance of gay marriage. She also had a message for those disconcerted by the turmoil prompted by the #MeToo movement that started in Hollywood with sexual abuse accusations against producer Harvey Weinstein.

“Don’t be afraid of what will happen. This moment is not a threat. It is a promise. And history will show we are right,” she said.

France’s entertainment industry has seen divisions over the #MeToo movement, with Catherine Deneuve notably saying it had gone too far.

No one at the Cesars publicly said anything similar.

The ceremony’s president, Vanessa Paradis – singer and actress and Johnny Depp’s ex-wife – set the tone by opening the show saying: “I am wearing this white ribbon for the fight against violence against women.”

More than 100 personalities, including actress Sandrine Bonnaire, director Agnes Jaoui and actor-director Julie Gayet, asked for donations destined for associations helping women pursue cases before justice, “so that no woman ever again has to say #MeToo.”

French film stars including Juliet Binoche called in a proposal in newspaper Le Monde on Friday for quotas to guarantee that more government film subsidies go to movies directed by women.

The ceremony was dedicated to Jeanne Moreau, the smoky-voiced femme fatale of the French New Wave who died last year, known for her distinctive blend of sensuality, intellect and resolve.

Best actress winner Jeanne Balibar praised actresses for supporting each other amid discrimination, injustice and abuses. “Despite our differences and our competition, we hold on.”

In addition to a white ribbon, actorBlanche Gardin wore a pin with the picture of comedian Louis C.K., accused of sexual harassment, and earned laughter with a sarcastic plea:

“Producers no longer have the right to rape actresses . But do we still have the right to sleep with them to get roles?” she asked. “Because if we don’t, then we have to learn our lines, pass auditions, and we don’t have the time. You realize how much time that takes?”