Cardinals McElroy and Cupich denounce Iran war: ‘War now has become a spectator sport.’

“A real war with real death and real suffering being treated like it’s a video game—it’s sickening,” Cardinal Blase Cupich said.

 

by Edward Desciak

Following the United States and Israel’s overnight missile barrage of Iran on Feb. 28 and the widening war across the Middle East, a number of U.S. bishops have spoken out in opposition to the war.

They underscored an urgent need for peace and a return to diplomacy, denounced as unjust American and Israeli military aggression and expressed deep concern for the millions in the region affected by the armed conflict.

“At this present moment, the U.S. decision to go to war against Iran fails to meet the just war threshold for a morally legitimate war,” Cardinal Robert McElroy of the Archdiocese of Washington, D.C., said.

In an interview with the Catholic Standard on March 9, he explained that the U.S. offensive operations failed to meet at least three criteria of just war theory—the Catholic framework for evaluating the morality of military action—including the requirements for just cause, right intention and clarity that “the benefits of this war will outweigh the harm which will be done,” made impossible by the unpredictability of the region.

Cardinal McElroy said: “Almost everyone rightly believes that the Khamenei regime has been for decades a brutal and repressive government that has spread terrorism throughout the world and should be replaced. But there is immense concern that this war will spiral out of control and embroil the United States in ever greater depth.”

The cardinal, who has also voiced opposition to the Trump administration’s mass deportation policy, mentioned particular concern for the military families he has spoken with who are worried about their loved ones’ safety.

“We must all work together to forbid this expansionism to lead us into an ongoing morass in Iran,” he said, expressing his “deepest concern” for the “deterioration of moral norms” in the United States and the world, signified by the growing willingness to turn to preventative war over diplomacy as a legitimate means of foreign policy.

Cardinal McElroy’s responses echoed comments from Cardinal Blase Cupich of the Archdiocese of Chicago, who criticized the war and the Trump administration’s mix of militarism and entertainment in a statement on March 7.

Cardinal Cupich cited a post from the official White House X account captioned “JUSTICE THE AMERICAN WAY” that spliced clips from popular action movies, cartoons and TV shows “with actual strike footage from their war on Iran.”

It was one of many edits the White House has posted over the last few days in which the account has similarly spliced together video footage of the war with NFL and MLB highlights and video game references.

“A real war with real death and real suffering being treated like it’s a video game—it’s sickening,” Cardinal Cupich said. “This horrifying portrayal demonstrates that we now live in an era when the distance between the battlefield and the living room has been drastically reduced.”

He noted that the social media post dishonored the six U.S. soldiers who had been killed at that point during the war (the death of another service member was confirmed on March 8) as well as the hundreds of others who have died across the Middle East, “including the scores of children who made the fatal mistake of going to school” the day a U.S. missile struck a naval base next to an elementary school in Iran, killing 175 people.

“The moral crisis we are facing is not just a matter of the war itself, but also how we, the observers, view violence, for war now has become a spectator sport or strategy game,” Cardinal Cupich wrote, referencing a particularly macabre scandal involving the popular prediction market site Kalshi, where Americans can now gamble on matters of life and death. The company is the respondent in a $54 million class action lawsuit after it declined to pay out wagers on whether Iran’s Supreme Leader Ali Khamenei would be ousted by March 1, citing a “death carveout.”

Cardinal Cupich also urged the American people not to “become addicted to the ‘spectacle’ of explosions.”

“Our government is treating the suffering of the Iranian people as a backdrop for our own entertainment,” he wrote, “as if it’s just another piece of content to be swiped through while we’re waiting in line at the grocery store.”

“I know that the American people are better than this. We have the good sense to know that what is happening is not entertainment but war, and that Iran is a nation of people, not a video game others play to entertain us,” he concluded.

The cardinals joined the president of the U.S. Conference of Catholic Bishops, Archbishop Paul Coakley, who followed Pope Leo XIV’s lead and released a statement on March 1 condemning the hostilities: “We ask for a halt to the spiral of violence, and a return to multilateral diplomatic engagement that seeks to uphold the ‘well-being of peoples, who yearn for peaceful existence founded on justice.’”

Archbishop Coakley added: “I invite Catholics and all people of goodwill to continue our ardent prayers for peace in the Middle East, for the safety of our troops and the innocent, that leaders may seek dialogue over destruction, and pursue the common good over the tragedy of war.”

The Archdiocese of New York’s new archbishop, Ronald Hicks, also commented on the Iran crisis in a brief interview for 1010 WINS on March 5, calling for prayers and diplomacy. “We have to give some special prayers for our men and women in uniform and pray for their protection, too, and everyone involved,” he said.

“It is absolutely heartbreaking.”

Source: Cardinals McElroy and Cupich denounce Iran war: ‘War now has become a spectator sport.’ – America Magazine

Former French minister Lang resigns from Arab World Institute over Epstein ties

Links between Epstein and Jack Lang’s daughter, a media executive, also surfaced.

PARIS, Feb 7 (Reuters) – Jack Lang, a former French culture minister, has resigned as president of the Arab World Institute, the French Foreign Affairs Ministry said on Saturday, after revelations of his past contacts with Jeffrey Epstein and the launch of a financial investigation.
Earlier this Saturday, the French Financial Prosecutor’s Office had opened an investigation into Jack Lang and his daughter Caroline on suspicion of ‘aggravated tax fraud laundering’.
Calls for Lang to step down intensified since files released on January 30 by the U.S. Department of Justice showed Epstein and Lang corresponding intermittently between 2012 and 2019, when the financier died by suicide in jail.
French media including Le Monde, Le Figaro and Mediapart said the preliminary investigation had been opened after the U.S. documents revealed years of correspondence and financial links between Lang and Epstein.
The office confirmed the investigation but did not provide further details.
Jack Lang had been summoned to report on Sunday to the Foreign Ministry, which supervises the Arab World Institute, a cultural and research institution that promotes understanding of the Arab world. [ . . . ]

Continue at source: Former French minister Lang resigns from Arab World Institute over Epstein ties | Reuters

Two Paris concerts rally support and raise funds for Palestine

Pomme and Aloïse Sauvage

Two concerts in the French capital raised funds for Gaza on Tuesday: one at the Zénith venue, spearheaded by Yann Tiersen, Pomme and Aloïse Sauvage, and the other at La Flèche d’Or, under the direction of Rallye.

Some 4,000 people attended the Together for Palestine concert at the Zénith in Paris, organized by musicians Yann Tiersen, Pomme and Aloïse Sauvage, on Tuesday, December 9. Proceeds from ticket sales raised €50,000 for the Doctors Without Borders (MSF) regional emergency fund for Gaza. On September 17, at Wembley Arena in London, where turnout was higher than in France, Together for Palestine brought together 150 celebrities, raising €1.7 million.

Some French artists nonetheless made significant efforts. On December 9, another concert took place in Paris: the 4th installment of Peace & Live at La Flèche d’Or, organized by the group Rallye, which had been planned well before Tiersen considered bringing the Together for Palestine concept to France and to Brussels, Belgium. More modest in scale, Rallye’s event brought together Christine and The Queens, Miki, Ascendent Vierge and Iliona. The proceeds of €10,000 were also donated to MSF for its regional Gaza [ . . . ]

Continue at Source: Two Paris concerts rally support and raise funds for Palestine

Donald Trump’s AI Video Is a Psychosexual Confession

Trump Crime Family

By Dr. Stacey Patton

Donald Trump is nasty.

Always has been.

But this time, he outdid himself. On the heels of the second No Kings protest, he released an AI video of himself sitting in a fighter jet, wearing a crown, and dumping shit bombs onto protestors. He imagined himself gleefully defecating on the American people without shame.

The media treated it like a circus sideshow. Headlines called it “bizarre,” “provocative,” “a stunt,” and “over the top.” The usual pundits shrugged and said it was just Trump “being Trump.” Others chuckled about his obsession with spectacle, as if this were simply another chapter in his long career as a provocateur.

Meanwhile, the White House responded with smug indifference and by joining in the mockery. When musician Kenny Loggins demanded the removal of his song “Danger Zone” from the video, officials didn’t issue a formal statement. Instead, they circulated a meme of a crying woman, taunting critics and signaling that they found the outrage amusing. A press aide told reporters off-record that the President “was having fun,” and Speaker Mike Johnson defended the video by claiming Trump “uses satire to make a point.”

On cable news, conservative commentators called it “performance art.” Fox personalities laughed and said the President was “owning the protestors.” Right-wing influencers flooded social media with edits and remixes, turning what should have been a national scandal into a kind of digital pep rally.

In other words, the country’s political and media ecosystem treated a sitting president’s fantasy of defecating on citizens as if it were entertainment. The laughter and dismissal were enabling. Every smirk and shrug helped normalize a nasty display that was anything but funny. But we must refuse to see Trump’s behavior as “political theater.

This isn’t just trolling or another bout of Trumpian narcissism. It’s something deeper, darker, and far more revealing. What we witnessed in that AI video was one of the most striking public displays of projection and psychosexual rage ever exhibited by a political leader. It gives us an unfiltered glimpse into a diseased ego where rage and eroticism merge, where domination is foreplay, and where humiliation becomes the only language he knows how to speak. This is a public humiliation fantasy rooted in race, class, and power, and it gives us a window into the psyche of an authoritarian man who is eroticizing cruelty.

When a powerful, wealthy white man imagines himself shitting on people, it isn’t comedy, it’s a confession. It’s humiliation as arousal and degradation as dominance. It’s kink: a degradation fantasy, a control fetish, a way to make pleasure out of someone else’s shame. Usually this plays out in private rooms with safe words. But here it’s public with the leader of a nation acting out the same psychosexual script men with money and power have used for centuries: reduce the powerless to filth, then call it a joke.

Trump’s fantasy isn’t new. It’s the fantasy of the plantation owner, the pimp, the colonizer, the man who can pay to make someone else kneel and swallow the mess. The act of shitting on someone isn’t just about bodily waste, it’s about power and control. It’s saying, my disgust is worth more than your dignity. It’s the most primal, carnal declaration of supremacy there is.

When rich white men defecate on others, literally or symbolically, it’s about reminding the world that they own the terms of what’s clean and what’s dirty. They get to desecrate, and you get to smile through it. They get to say it’s “satire,” and you get called triggered or a snowflake for noticing it’s abuse. That’s the kink. That’s the power rush. Trump is not hiding behind the jet and the crown, he’s getting off on them. The crown is the fantasy. The jet is the erection. The waste is the proof that he can do it and still be adored by his base.

This is humiliation kink at the highest level. A man so insulated by money and whiteness that he turns contempt into performance and calls it leadership. It’s the same pathology behind every “billionaire bad boy” who mistakes cruelty for charisma, every white patriarch who thinks dominance is birthright. Trump is a dom with a nation as his unwilling sub.

And that’s why the video is so disturbing. It’s not just crude, it’s eroticized punishment. He doesn’t dream of governing; he dreams of disciplining. The protestors below him aren’t citizens, they’re objects, props in his sadistic little fantasy of control. The act of dropping shit is foreplay for conquest. It’s the same energy that drives him to demean women, mock the disabled, and sexualize his own daughter. It’s pleasure born from power.

And many Americans laughed. Because they’ve been conditioned to see white male perversion as entertainment. To treat their sickness as swagger. To excuse their pathology as “boys being boys.” This is what happens when a country mistakes dominance for masculinity and humiliation for humor.

And mainstream media outlets have not made this connection because they are too afraid to name the erotic core of power. It’s easier to call Trump “provocative” or “controversial” than to admit that he eroticizes cruelty—that his pleasure and politics are the same thing. They can write about fascism, rage, and narcissism, but not the pleasure that drives them. Talking about domination as a kink, or about white supremacy as an erotic system, forces readers to confront something intimate and revolting, which is that the cruelty is gratifying.

Newsrooms sanitize language. They’ll call Trump “provocative” or “controversial,” but never “a man who gets off on humiliation.” And his pathology thrives because we keep translating violence into metaphors instead of naming the body beneath the politics. But this is the grammar of white male power through control, degradation, and the pleasure of seeing others dirtied by your hand. Trump’s spectacle exposes what American culture has always worshipped: the white man who gets off on control, the patriarch who turns domination into performance and calls it strength. Naming that isn’t indecent, it’s the only honest thing left to do.

The video of Trump crowning himself and defecating on protestors is also the mirror image of the leaked GOP chats where party operatives fantasized about gassing Jews, burning Black people, and torturing LGBTQ folks. What those men whisper and masturbate to in private, Trump performs from the cockpit. Both acts announce the same creed: I can terrorize you, shit on you, degrade you, discard you and it’s a show. Side by side, the AI video and the leaked chats expose a single pathology: sexualized violence, racialized contempt, class superiority, and the thrill of domination disguised as leadership.

None of this is political satire. It’s porn for fascists. It’s a humiliation fantasy where whiteness, wealth, racism, and waste collapse into one ecstatic gesture of control.

And maybe Speaker Mike Johnson was right after all when he said Trump uses “satire” to make a point. Because he did make one: that he can shit on the American people, turn cruelty into orgasm, and still have men like Johnson wipe his ass for him and call it leadership.

If this piece made you think or cringe, then good. That’s the point! I write to pull back the veil on power, perversion, and propaganda. If you value work that tells the truth without flinching, consider becoming a paid subscriber and help me keep doing it. Your $8 subscription doesn’t just sustain this Substack, it also funds textbooks, digital equipment, software, reporting opportunities, conference travel, and emergency funds for HBCU journalism students.

Source: Donald Trump’s AI Video Is a Psychosexual Confession