Record Review: Annabelle Chvostek “String of Pearls”

 

An album for those who reckon there’s just not enough singer-songwriters celebrating the French and Weimar cabaret era, the former Wailin’ Jennys member Annabelle Chvostek digs into her East European heritage alongside her Canadian background and marital Uruguayan influences for this gloriously ebullient sixth album ‘Strong of Pearls’. Co-produced, from Montevideo, by composer and multi-instrumentalist, Fernando Rosa who assembled an array of tango and classical musicians to evoke the days of 30s tango and jazz swing while, back home in Toronto, David Travers-Smith recruited members of the gypsy jazz scene alongside regular drummer Tony Spina. Added to all this, Chvostek drew on her time as artist-in-residence with the city’s Echo Women’s Choir to work on the vocal arrangements.

She raises the curtain, singing in both French and English on the frisky brushed snares flapper shuffle Je T’ai Vu Hier Soir (I Saw You Last Night),  keeping the swing sizzling with the double bass, clarinet, mandolin and classical guitar feline slinkiness of the title track, not the Glenn Miller number but certainly evoking a similar vintage. Continue reading “Record Review: Annabelle Chvostek “String of Pearls””

Francis Cabrel: “I have been on the extreme left for a long time”

At 61 years old, Francis Cabrel released “In extremis”, a record which speaks for the most part about the time that flies. The occasion for the hermit of Astaffort to react on the policy and the rumors which run about him.

As every spring, every seven years, a new Cabrel arrives in the bins. “In extremis” (Sony) is a mixture of concerned songs and sentimental refrains. But what is striking about this album, today more than yesterday, is the awareness of the time that flies. Meeting with Francis Cabrel, who came from Astaffort to Paris, to tell the story of the genesis of this disc, to give some explanations of texts, to talk about the career of his daughter Aurélie. And to respond to the rumors that are currently circulating about him. They obviously stunned him.

You are already 61 years old. We are very far from “Petite Marie” …

– I even go on my 62. “Petite Marie”, I was 24 but I had started the song 4 or 5 years before. I wrote my first song when I was 19. Time flies normally, I don’t feel like I’ve wasted my time or that it has gone so quickly.

Time flies is the central theme of your album.

– Yes. First I don’t want to hide it. Then, that’s what concerns me and then it allows me to play down. It is not dizzying. I don’t want to quote anyone, but trying to convince teens that we make interesting songs doesn’t ring a bell, I just want to say who I am at that point in my life. All of my albums, in fact, are photographs, snapshots that show who I am as I write them. Who I was at 24, 27, 31, etc. When I look back, I care about who I was. I don’t want to be fasting.

Why ?

Continue reading “Francis Cabrel: “I have been on the extreme left for a long time””