“I loved this exhibition. It was Degas’s monotypes – a very interesting process of printing – mostly of women, prostitutes, who were willing to pose for him. But it could become very abstract, with the repetition; he was interested not in the drawing as a result but in the accumulation in his work of the same subject. It was very modern for his time. Then you have the other part – it’s very hard when you know that someone was such a horrible person in real life, and such an antisemite. It’s hard to avoid thinking about it and focus on the art. It’s the same with so many other people, like Céline. But it was really worth going.”
– Charlotte Gainsborg / A Strange New Beauty at MoMA.

Photograph: Andrew Toth/Getty

Ballet Scene (1879) pastel | more

Charlotte Gainsbourg