Why You Should Binge-Watch “Plan Cœur” on Netflix – Frenchly

Netflix’s newest French addition, Plan Cœur, by Chris Lang and Noémie Saglio, has evoked a strong reaction (as expected) from the French audiences. The French have mostly ridiculed it as a binge-worthy, feel-good show (makes sense when most of their movies have far from happily-ever-after endings). But we would like to point out… what is so wrong with a binge-worthy, feel-good show?

A sort-of French take on Sex and the City, Plan Cœur (or The Hook-up Plan in English) focuses on the lives of three Parisians: Elsa, played by Zita Hanrot, Emilie (Milou), played by Joséphine Draï, and Charlotte (Chacha), played by Sabrina Ouazani, who each have their own struggles, daily battles, and inner conflicts. The main character, Elsa, has been chronically single for a while and still getting through a very rough breakup. Her friends, naturally, hire a male hooker to lift up her spirits. What happens after is a surprise for everyone [ . . . ]

Continue at FRENCHLY: Why You Should Binge-Watch “Plan Cœur” on Netflix – Frenchly

Greta Trailer: Isabelle Huppert and Her Purse Will Stalk You

The trailer for Greta might make you rethink ever being kind to a stranger in New York City again. It follows the young Frances, played by Chloë Grace Moretz, who finds a lost purse on the subway and, instead of heeding the many MTA announcements that implore anyone in this situation to tell a police officer or an MTA employee, goes to this perfect stranger’s house (!!!!) to return it. The bag’s owner, Greta, played by Isabelle Huppert, is a seemingly lonely older woman who soon entices Frances into a close friendship that escalates quickly into full stalking and lots of broken dishes and probably murder. While you shouldn’t let this scare you away from enjoying New York City’s crumbling public transit, let this be a reminder that we do have procedures in place for abandoned bags on the subway: If you see something, say something.

Source: Greta Trailer: Isabelle Huppert and Her Purse Will Stalk You

“Grâce à Dieu” de François Ozon

Synopsis : Alexandre vit à Lyon avec sa femme et ses enfants. Un jour, il découvre par hasard que le prêtre qui a abusé de lui aux scouts officie toujours auprès d’enfants. Il se lance alors dans un combat, très vite rejoint par François et Emmanuel, également victimes du prêtre, pour « libérer leur parole » sur ce qu’ils ont subi. Mais les répercussions et conséquences de ces aveux ne laisseront personne indemne.

Alexandre lives in Lyon with his wife and children. One day, he discovered by chance that the priest who abused him to scouts always officiates with children.He then starts a fight, quickly joined by François and Emmanuel, also victims of the priest, to “release their word” on what they suffered.But the repercussions and consequences of these confessions will leave no one unscathed.

Netflix’s ‘To Each, Her Own’ Is An Ambitious, Overcomplicated French Film

 

Some movies are so thoroughly mediocre that you just want to yell at them to be better. That is the case with the French romantic comedy To Each, Her Own. The story is bursting with ideas, so many ideas, in fact, that it could’ve been something great. Instead, To Each, Her Own, much like its protagonist, wants it all. By trying to speak to so many ideas, the movie ends up saying very little. The ambition of director Myriam Aziza (who also co-wrote the script with Denyse Rodriguez-Tome) is admirable. However, her Netflix film badly needs someone who can rein in the unwieldy script [ . . . ]

Read full review at THE DAILY DOT: Netflix’s ‘To Each, Her Own’ Is An Ambitious, Overcomplicated French Film

First Look At Anna Mouglalis As Paula Maxa  in “The Most Assassinated Woman In The World”

Hugely acclaimed French genre film producer Franck Ribiere (Inside, Livid, Cell 211, Malefique, Witching And Bitching, etc etc etc) steps into the director’s chair for upcoming thriller The Most Assassinated Woman In The World.

Set against the backdrop of the infamous Theatre Grand Guignol the story revolves around iconic actress Paula Maxa – the most famous of the Grand Guignol’s leading ladies and the titular Most Assassinated Woman, who was graphically slain on stage multiple times a day – played here by Anna Mouglalis [ . . . ]

Continue at: First Look At Anna Mouglalis As Paula Maxa In THE MOST ASSASSINATED WOMAN IN THE WORLD