Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, one of her pupils’ father. When she learns that Vladimir cannot come because his wife organized a surprise trekking in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with her own stubborn donkey.
A very beautiful film, both funny and touching, which makes you want to return to France and go hiking in the Cévennes and carrying in its suitcase “Travel with a donkey in the Cévennes” by Robert Louis Stevenson.Le Petit Journal
Antoinette, a Parisian schoolteacher, has an extra-marital relationship with Vladimir, the father of one of her students. The latter abandons him for the summer holidays to go hiking in the Cévennes with his wife and daughter. Neither one nor two, Antoinette also decides to make “the way of Stevenson” accompanied by Patrick, a recalcitrant donkey. If the beginnings are more than laborious, a beautiful relationship is established between the two protagonists and Patrick even comes to guide Antoinette in her love choices. Laure Calamy, always just as fair, finds the perfect tone and does not give in to cliché or caricature
Romain Duris is the factory worker struggling to balance his responsibilities
Dir: Guillaume Senez. Belgium-France. 2018. 98mins
Available on Amazon
A hardworking husband and father with solid social convictions and major responsibilities on the floor of a gargantuan dispatching warehouse in provincial France is obliged to recalibrate every corner of his life after an abrupt change at home in Our Struggles (Nos Batailles).
Co-writer/director Guillaume Senez stakes a legitimate claim to his chosen narrative territory
A thoughtfully structured indictment of the creeping precariousness of steady work and exploration of the balancing act of a man suddenly left entirely in charge of his two young children, this modest but convincing film benefits from a fine ensemble cast and a committed central performance by Romain Duris.
Trendy articles praise the concept of “disruption” and bow down before the supposed value that “disruptors” lend to the marketplace, but most people probably have a soft spot for stability in their work and home lives. One such man, Olivier (Duris), is about to get thrown for a loop he could definitely have done without.
There’s not an overabundance of “human” qualities in Agathe (Sarah Le Picard) from Human Resources when she tells Olivier that one of the older workers under his supervision can’t keep up the pace anymore. Olivier defends the man in question, but the employee’s contract isn’t renewed and bad things result. Continue reading “Review: ‘Our Struggles’ (Nos Batailles)’”