Early in The Unknown Girl, the tenth feature from masters of European realism Jean-Pierre and Luc Dardenne, the young medic played with affecting sobriety and deeply internalized focus by Adele Haenel chides her rattled intern, telling him, “A good doctor has to control his emotions.” While Haenel’s character, Jenny Davin, never forgets that rule, this quiet drama is powered by the ways in which her professionalism expands to accommodate personal investment, accountability and atonement after an unwitting action — or rather, inaction — on her part leads to tragic consequences.
READ MORE / Source: The Dardenne Brothers’ ‘The Unknown Girl’: Cannes Review | Hollywood Reporter
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